Lessons Collected of Settling Dust.

Nothing feels quite as we expect it to. At intervals, a mental pinching is required.

We must be sure we did not dream what we lived. There were apocalyptic pockets: spots where suffering was disproportionate, whole families halved in a matter of hours, workers and students and childbearers whose entire ways of being were obliterated overnight and over months, for well over a year.

That happened.

It happened.

It is still happening.

But there was nothing so definitive as an Earth’s End. For many — for those who were not required by vocation or extreme need to place themselves at impossible risk for (often ungrateful) others — there was merely an extended suspending of animation. There was waiting and watching and facial obfuscation. We were told to vaccinate. A number of us did. We were told that when we did, we were free to move about the cabin of our country.

The fasten-seatbelt signs are off.

And we are moving, but through an existence molecularly altered, one we entered, perhaps, without children, and are emerging as parents. One we entered believing ourselves better off single and are emerging, peculiarly, partnered. One we entered not understanding the capacity of our bodies — their vital, unfelt functions, their threshold for thrashing and healing — and are emerging quite staggered at the daily deteriorating marvel of meat and bone, the dogged but delicate grind of organ and sinew.

Nothing is where we left it. In our tentative venturing, we’re seeking out our certain our points of origin and finding instead empty divots on a dirt road. We yearn to return to a place of precedents but along the planes of our new boundaries, not a single one is charted. We want the bearings of civilization, because we’re burdened now by knowing exactly where civility ends. Give us back our benign smiles, the ones that mask how well we know who wanted to move unmasked among our most vulnerable. Give us back the frivolities we cherished before we knew that what we failed to cherish would be what we’d be forced to mourn.

Of the opportunities lost to us forever let us forge new opportunities. May we cobble together something better than civility, something closer to lasting compassion. If we managed to build anything meaningful amid the ruin, may our structures be sturdy enough to shelter us even when we’re not confined to one place.

Let us ascertain afresh what it is to be alive. Let us make new. May we be made new.



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about stacia

Stacia L. Brown was born in Lansing, MI at the very end of the 1970s. She grew up in Baltimore, MD–the county, not the city. She graduated from Trinity College (now Trinity Washington University) in DC with a BA in English and worked a few office gigs, while trying to jump-start her writing career, before moving to New York for grad school.

At 27, she finished an MFA in fiction at Sarah Lawrence College. She spent the next six and a half years working as an adjunct writing professor first in Michigan at Grand Valley State, Kuyper College and Grand Rapids Community College, then in Maryland at The Community College of Baltimore County and, for one dazzling semester, at MICA, while also working as a freelance writer for various publications, including The Washington Post, where she currently serves as a weekly contributor, New Republic, Rolling Stone, The Atlantic, and others.

In 2010, she became a mother.

For a semi-complete list of Stacia’s online publications, visit her bylines page.

Her short story, “Be Longing,” was selected for publication in It’s All Love: Black Writers on Soul Mates, Family, and Friends (Doubleday/Harlem Moon 2009), edited by Marita Golden. Her poem, “Combat,” appears in Reverie: Midwest African American Literature. Her essay on adjuncting as a single mother appears in the Demeter Press title, Laboring Positions: Black Women, Mothering and the Academyedited by Sekile Nzinga-Johnson.

Stacia served as the 2013-14 Editorial Fellow for Community Engagement at Colorlines. In June 2015, she was part of the inaugural Thread at Yale class. She was a 2015 participant in Women’s Media Center’s Progressive Women’s Voices training program. She was a 2019 Tin House Scholar and a participant in the Cambridge Writers Workshop in Paris, also in 2019.

In addition to her work in print, Stacia is also an accomplished audio storyteller. In November 2015, Stacia became the creator and producer of Baltimore: The Rise of Charm City, a radio and podcast series that tells intergenerational stories of place and memory in Baltimore City. Baltimore: The Rise of Charm City is part of the Association of Independents in Radio (AIR)’s 2015 Finding America: Localore project and is produced in partnership with WEAA 88.9.

She is the creator of Hope Chest, a collection of audio essays written to her daughter and present in podcast form at SoundCloud and Apple Podcasts. Hope Chest has been featured on BBC Radio 4’s Short Cuts and the Third Coast International Audio Festival podcast, Re:Sound. It was named one of Audible Feast’s Best New Podcasts of 2017. She also created and produces a micro-podcast for middle-grade book reviews, which her daughter narrates and hosts. It’s called Story on Stories.

In 2018, Stacia landed a gig at WAMU, as a producer of the NPR-syndicated daily news program, 1A. In 2020, she relocated from Maryland to North Carolina, where she produced radio and podcasts (including the incomparable Great Grief with Nnenna Freelon) for WUNC, North Carolina’s NPR station before moving onto other sonic endeavors. In 2022, she served as an advice columnist for Slate’s weekly parenting advice column, Care and Feeding.

Stacia resides in Durham with her amazing daughter Story.

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