Motes and Beams.

And why beholdest thou the mote that is in thy brother’s eye, but considerest not the beam that is in thine own eye? — Matthew 7:3

Last night, a woman cradled her abdomen and revealed the life growing there, as vibrant and as certain as the crimson of her Lanvin gown. You are too young to know her, but she is an icon for my generation, in much the same way that the triumvirate of divas–Aretha, Diana, and Tina*–are for your grandmother’s. Her husband is similarly eminent and, as they took to yet another of what, for them, must be an endless strait of red carpets, the radiant woman basked in the rarefied air that only exists under an arc of flashbulbs.

It was a seminal moment, not at all spontaneous but with just the right amount of coyness, delight, and pride. Responses were immediate–and as polar as they were predictable. Opinions were divided along moral lines. The couple was applauded for being married before deciding to procreate: “They did it the way God intended.” and “They did it the ‘right way.’” Many offered up their hope that this would “start a trend” in the black community, of valuing marriage (as though the reason black women and men remain unwed is because they thumb their nose at nuptials). By extension, unmarried mothers were inundated with presumptuous gloating: “This is what you should’ve done.” and “Never have a child with a man who doesn’t even offer to marry you.” and “You’ll never have this moment.”

But even the couple, so lauded for their pristine ordering of life events, did not escape the critical gaze of their public. They were blasted for releasing their news in as public a way as possible; some detractors went as far as suggesting the news was meant to boost their respective album sales. Others still wanted it known that they would not be engaging in any excited, celebratory antics “over a couple they didn’t know” and wondered aloud if they were the only ones who “didn’t care” about this announcement.

Darling, there is something I should tell you.

Every decision carries with it a value judgment; every action is first magnified then dissected. This is true of the famed and the civilian, of the leader as well as the follower. There is always someone watching, always someone desperate to compare, and to come away from that comparison looking superior. As much as I will teach you that the language of “better than” is dangerous, this language is unavoidable.

There is no sense in defending yourself against people who are certain they are better than you are. That is the worst kind of futility; it not only leaves you spent, but also unnerved and inadequate. But it is no better to seek solace in your own “better” circumstances. This renders you dispassionate and smug in ways that never fail to mortify you during life’s inevitable reversals of fortune. These are slopes that descend into hells; it would behoove you not to slide down them.

I spent much of your first year of life, and the nine months before your birth building an immunity to Better Than. I am still susceptible to the lesser of its side effects, but there are some nerves I have protected from its paralysis. There are some criticisms that I will just not allow to bring me low.

I am a third generation single mother. In high school, I was lauded for escaping teen pregnancy. In college, the voices grew louder, the compliments more flowery. By grad school, I’d “escaped a generational curse” and “broken a cycle.” I was half of an “upstanding couple”–a fine Christian man and a wholesome, Proverbs 31 woman; it was only a matter of time before we married, before someone suggested that we become youth leaders, before we were asked to educate others on purity. I didn’t protest; that wouldn’t have done much good. There was no baby then, to confirm what we weren’t. But I didn’t chime in, singing solo in a chorus of my own praises, either. I knew who your father and I were to each other, and it wasn’t husband and wife. And there were few days we would’ve described ourselves as “wholesome.”

You will find that people love their narratives. They need for your life to have meaning; it must provide them a teachable moment, whether cautionary or aspirational.

But you will never be who they think you are. The more you allow their expectations to dictate to you what you should be, the more unfamiliar you’ll become with your own reflection in a mirror. You must know, even as a grade school girl—and perhaps particularly then, as children can be cruel—that you are not pitiable because your parents are not married. You shouldn’t feel excess pressure to excel because “the odds are against you,” nor does my marital status require you to defend me or yourself against the assumptions of your peers. But it also does not give you license to exalt yourself over other children whose circumstances are different than your own. You will find soon enough that all homes, whether married or single-parent, are not created equal. There is no greater example of this than this red carpet couple whose little one will be swaddled in cashmere receiving blankets, with diamond pins fastening its handwoven diapers.

We are ourselves. That is all that we are, and that is enough.

There will be days—like this one—where I will feel like I am everything others assume I am: jilted, irresponsible, and unworthy of a man’s unerring commitment. And then I will remember that I am the woman who writes to you. I am wise and intuitive; artful and accomplished; nurturing and nourishing; strong enough to tear apart and reassemble myself for you; and beautiful in ways the naked eye cannot observe—particularly if its gaze is obstructed with beams.



12 responses to “Motes and Beams.”

  1. Standing. Ovation.

  2. Brilliant. But that’s not news.

  3. I’m just gonna copy K.

    “Standing. Ovation.”

  4. I followed you here from your tweet about creative nonfiction – and this is beautiful! I’m subscribing so I can read through all your other stuff and enjoy this artful prose. ^_^

  5. Well done.

  6. Thank you for writing this. I really needed to hear it today. Lately I too often find myself having to justify the path I took, my constant stumbles, and even have to explain how I can possibly be happy or content, even though I am in the greater scheme of things. “We are ourselves. That is all that we are, and that is enough.” I’ll try to keep that in mind.

  7. I find this heartening. In rejecting a false narrative, the truth has erected itself and it now stands proud – congratulations on your daughter. I feel like I’ve just gotten out of being ‘someone’s kid’ as I’m now an adult with responsibilities. I hope she realizes and remembers all this for her sake. I’m going to quote you on my blog if you don’t mind.

  8. […] narratives we construct to shape  and console ourselves. Found here, a mother’s letter to her […]

  9. That was brilliant.

  10. I have read this at least 5 times in my reader before coming over to comment. And every time, nothing beats the last two paragraphs. I wish I had something witty or well worded to comment with, but I have been bitten by the writers block and even without that obstacle, this doesn’t need a follow up. A simple nod in agreement will do.

    Excellent post Stacia.

    A.

  11. This was beautiful and I’ve forwarded this to a friend who I think really really needs it right now. Thank you.

  12. Dear Ms. Brown,

    I am a writer and college composition instructor who is most appreciative of this entry. I have shared it with my students as an introduction to critical reading!!! It has worked tremendously well as a teaching tool to explore the difference between theme, thesis, and illustration. Often we get lost in individual stories and illustrations and miss the big picture. Eventually after “critically reading” your essay, the students discover that this essay is for EVERYONE, not just for “single mothers.”

    I wanted you to know that many have walked away inspired and uplifted by your message.

    Yeah, this is my way of saying, “thank you!” I have used this piece with my students since you wrote it. It is still working its magic!

    Blessings to you!

Leave a reply to Tamara J. Madison Cancel reply

about stacia

Stacia L. Brown was born in Lansing, MI at the very end of the 1970s. She grew up in Baltimore, MD–the county, not the city. She graduated from Trinity College (now Trinity Washington University) in DC with a BA in English and worked a few office gigs, while trying to jump-start her writing career, before moving to New York for grad school.

At 27, she finished an MFA in fiction at Sarah Lawrence College. She spent the next six and a half years working as an adjunct writing professor first in Michigan at Grand Valley State, Kuyper College and Grand Rapids Community College, then in Maryland at The Community College of Baltimore County and, for one dazzling semester, at MICA, while also working as a freelance writer for various publications, including The Washington Post, where she currently serves as a weekly contributor, New Republic, Rolling Stone, The Atlantic, and others.

In 2010, she became a mother.

For a semi-complete list of Stacia’s online publications, visit her bylines page.

Her short story, “Be Longing,” was selected for publication in It’s All Love: Black Writers on Soul Mates, Family, and Friends (Doubleday/Harlem Moon 2009), edited by Marita Golden. Her poem, “Combat,” appears in Reverie: Midwest African American Literature. Her essay on adjuncting as a single mother appears in the Demeter Press title, Laboring Positions: Black Women, Mothering and the Academyedited by Sekile Nzinga-Johnson.

Stacia served as the 2013-14 Editorial Fellow for Community Engagement at Colorlines. In June 2015, she was part of the inaugural Thread at Yale class. She was a 2015 participant in Women’s Media Center’s Progressive Women’s Voices training program. She was a 2019 Tin House Scholar and a participant in the Cambridge Writers Workshop in Paris, also in 2019.

In addition to her work in print, Stacia is also an accomplished audio storyteller. In November 2015, Stacia became the creator and producer of Baltimore: The Rise of Charm City, a radio and podcast series that tells intergenerational stories of place and memory in Baltimore City. Baltimore: The Rise of Charm City is part of the Association of Independents in Radio (AIR)’s 2015 Finding America: Localore project and is produced in partnership with WEAA 88.9.

She is the creator of Hope Chest, a collection of audio essays written to her daughter and present in podcast form at SoundCloud and Apple Podcasts. Hope Chest has been featured on BBC Radio 4’s Short Cuts and the Third Coast International Audio Festival podcast, Re:Sound. It was named one of Audible Feast’s Best New Podcasts of 2017. She also created and produces a micro-podcast for middle-grade book reviews, which her daughter narrates and hosts. It’s called Story on Stories.

In 2018, Stacia landed a gig at WAMU, as a producer of the NPR-syndicated daily news program, 1A. In 2020, she relocated from Maryland to North Carolina, where she produced radio and podcasts (including the incomparable Great Grief with Nnenna Freelon) for WUNC, North Carolina’s NPR station before moving onto other sonic endeavors. In 2022, she served as an advice columnist for Slate’s weekly parenting advice column, Care and Feeding.

Stacia resides in Durham with her amazing daughter Story.

Newsletter