Mourning Mike-Mike Amid the Madness.

michael-brown-funeral-inside-church-ctr

… So for sixteen days we all had to bide time until the boy could be buried. It would be sixteen days before his body could, at last, be lowered into the uneasy, overturned earth, and all the while, he was taken apart and reassembled, both in organ and in character. Each day brought some new revelation about the placement of bullets, each day a new besmirching of his personality.

During those weeks’ wait,  his death spun out like shrapnel, dust, detritus, like tear gas and rivulets of milk, like whispers of revolt and like war cries. His passing meant too many things to strangers and had settled under their skin, left burns, begun to scab.

It became hard to remember Mike-Mike in the madness, hard to recall the exact name of his college or his precise height and weight. We couldn’t quite tell each other the color of his eyes. None of us knew what could invariably make him laugh. Too many images loomed larger: law enforcement  in riot gear, rifles trained on children, threats — nay, promises — of more murder and bodily harm at the hands of local police.

We were so haunted we couldn’t remember that we’d never known the actual boy at all.

When someone dies unjustly, all his journals are judged as unauthorized memoirs. Every article we pen about him is its own invasive autopsy. We learn too much, the intimate and the inconsequential: last few breakfasts, innermost fears. We read or overhear that he had been dreaming of bloodied bedsheets. In his last few fits of slumber, he could hear a bell of reckoning. He thought it tolled for friends, for relatives. He did not know it knelled for him. We learn all about the poorness of his high school, how for senior portraits, the graduating students had to circulate a single cap and gown. We learn mortifying, mystifying things. Injustices long swallowed rise up in our throats like bile till Mike Brown becomes a battle cry.

But sometimes, when all is said and done, we realize we’ve learned nothing we should’ve.

He was buried on a Monday and by the time it happened, he was cause, he was principle, a platform for voter’s registration, a morality play, an archetype, a cautionary tale. But only for the people who knew the clouds that could pass through his eyes when he worried, who remembered the day his squeaky voice dropped, whose thoughts of him toggled between more than convenience store and corpse… only they could truly mourn his simply as a boy. Their boy.

The family allowed us to mourn their boy, letting television cameras live-stream his funeral. They gave the press exclusive access to their grief. They implored us to understand the skin, the bone, and the murky, thoughtful, aspirational mind of their son. We tried. At least some of us tried. But it is hard enough to understand people we’ve met and near impossible to truly know a young man we may never have seen, had he not been riddled with bullets on a random summer afternoon. It had been difficult, then, not to co-opt him, difficult not to project onto him our own fears, our own sorrows. Because those boundaries were becoming so blurred, this final access rankled some and was welcomed by others. Some of us needed to watch his homegoing; others needed nothing so much as to look away. But in truth, from the time the boy’s body became public spectacle, lain bare for four hours on a sleepy street in Ferguson, we’d been given more access to him than he or his parents or any of us would ever have wanted.

Michael Brown Sr. (center), surrounding by family at the grave site where his son was laid to rest.
Michael Brown Sr. (center), surrounding by family at the grave site where his son was laid to rest.

Like Mamie Till-Mobley before them, Lesley McSpadden and Michael Brown Sr. wanted the world to continuing seeing the injustice that what was done to their baby.

I have always found it discordant to attend a funeral where the songs are uptempo and the attendees are rejoicing. I do not know how to call a funeral a homegoing or death a transition, though they are, of course, all of those things. What I want most when laying someone to rest is the space to sob as I recall him, the arms to hold me as I buckle, company of a great cloud of witnesses. But everyone needs different things in times of unthinkable sorrow, laughter as much as mourning, the catching of the Holy Ghost as much as a graveside howl. All I can hope is that, by letting us in, on Monday, as they have on every day since they lost their eldest son, the family and friends of Michael Brown Jr.’s had all that they needed. I hope that in the months and years to come, the cavern of that need will never be hollowed and always be filled.



3 responses to “Mourning Mike-Mike Amid the Madness.”

  1. […] first five of my blog posts on Michael Brown and Ferguson, which was a great honor. The sixth one posted yesterday, in case you missed it and would like to read […]

  2. Thank you Stacia for eloquently writing on what felt to me like such an intrusion on Michael Brown’s family and their initial grieving process. I understand that revolutionary movements are often sparked by other’s grief, the tipping point for actions of justice but it is equally important that we carve out space for parents to be parents and be consumed with their very personal loss or else it will manifest in other unhealthy ways.

  3. […] written speak to what I’m currently feeling. I wrote about Michael Brown and Ferguson six times this summer. Not much has changed […]

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about stacia

Stacia L. Brown was born in Lansing, MI at the very end of the 1970s. She grew up in Baltimore, MD–the county, not the city. She graduated from Trinity College (now Trinity Washington University) in DC with a BA in English and worked a few office gigs, while trying to jump-start her writing career, before moving to New York for grad school.

At 27, she finished an MFA in fiction at Sarah Lawrence College. She spent the next six and a half years working as an adjunct writing professor first in Michigan at Grand Valley State, Kuyper College and Grand Rapids Community College, then in Maryland at The Community College of Baltimore County and, for one dazzling semester, at MICA, while also working as a freelance writer for various publications, including The Washington Post, where she currently serves as a weekly contributor, New Republic, Rolling Stone, The Atlantic, and others.

In 2010, she became a mother.

For a semi-complete list of Stacia’s online publications, visit her bylines page.

Her short story, “Be Longing,” was selected for publication in It’s All Love: Black Writers on Soul Mates, Family, and Friends (Doubleday/Harlem Moon 2009), edited by Marita Golden. Her poem, “Combat,” appears in Reverie: Midwest African American Literature. Her essay on adjuncting as a single mother appears in the Demeter Press title, Laboring Positions: Black Women, Mothering and the Academyedited by Sekile Nzinga-Johnson.

Stacia served as the 2013-14 Editorial Fellow for Community Engagement at Colorlines. In June 2015, she was part of the inaugural Thread at Yale class. She was a 2015 participant in Women’s Media Center’s Progressive Women’s Voices training program. She was a 2019 Tin House Scholar and a participant in the Cambridge Writers Workshop in Paris, also in 2019.

In addition to her work in print, Stacia is also an accomplished audio storyteller. In November 2015, Stacia became the creator and producer of Baltimore: The Rise of Charm City, a radio and podcast series that tells intergenerational stories of place and memory in Baltimore City. Baltimore: The Rise of Charm City is part of the Association of Independents in Radio (AIR)’s 2015 Finding America: Localore project and is produced in partnership with WEAA 88.9.

She is the creator of Hope Chest, a collection of audio essays written to her daughter and present in podcast form at SoundCloud and Apple Podcasts. Hope Chest has been featured on BBC Radio 4’s Short Cuts and the Third Coast International Audio Festival podcast, Re:Sound. It was named one of Audible Feast’s Best New Podcasts of 2017. She also created and produces a micro-podcast for middle-grade book reviews, which her daughter narrates and hosts. It’s called Story on Stories.

In 2018, Stacia landed a gig at WAMU, as a producer of the NPR-syndicated daily news program, 1A. In 2020, she relocated from Maryland to North Carolina, where she produced radio and podcasts (including the incomparable Great Grief with Nnenna Freelon) for WUNC, North Carolina’s NPR station before moving onto other sonic endeavors. In 2022, she served as an advice columnist for Slate’s weekly parenting advice column, Care and Feeding.

Stacia resides in Durham with her amazing daughter Story.

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