Make Him a Balloon, Not a Ball and Chain.

It’s jolting how easily a desired ideal becomes delusion in the face of reality. My mother says my life has been, comparatively, charmed. I was an only child with a father who was only semi-absentee. My extended family was instrumental in helping to raise me, which meant I began to fly at the age of four and saw city and country and interstate early and often, whenever my mother needed the space to inhale an “un-tandem” breath.

This kept her from wholly resenting me and made me feel both exponential love and fierce independence.

When I went off to college, I incurred about $40,000 of debt, because the scholarship my father’s employment was supposed to secure for me fell through when he quit his job in a huff of ego and indignation. Neither of my parents helped me finance my education. But during my senior year, when my student loans wouldn’t cover the total cost of my degree, my grandmother took out a $7,000 private loan to insure that I was able to graduate in four years.

I was the product of a very healthy village.

At graduation, so many people from my father’s family showed up that, had it rained and I had been forced to use the four tickets I’d been allotted, rather than the unlimited standing room our sunny outdoor ceremony provided, at least five people would’ve been unable to watch me walk.

I know the singular joy of making those closest to me proud. I know how it feels to be encouraged to succeed, from birth to adulthood. I suppose this means that my mother’s right. My life has been, comparatively, charmed.

Things derailed a little after I got my BA. I’ve always been a little adrift. I’m a writer. I’m morose and meandering. Definitely not a Type A personality. Not particularly ambitious. Certainly don’t kowtow in order to insulate myself from demotion or downsizing; I usually don’t care enough about where I am to be sad about leaving, when the time comes. I pursue and maintain employment because it’s important for me not to have to ask other people for money.

People I’ve loved ask me for money, a lot. I almost always have it. I almost always give it. Occasionally, this bothers me–but usually only in cases where I feel like I’m being treated like a solution instead of a person.

Anyway, after my BA, I moved home to help my mother financially recover from a divorce. I spent four years on that and during that time I learned what it was like to financially and emotionally defer to someone’s needs other than my own. Twenty-one was a good and fair age at which to learn this lesson.

Some girls have to learn it in the womb.

Then, at 25, I started a master’s program. In creative writing. At one of the most esteemed arts schools in the country. That was the kind of whim that would’ve needed to wait, had I prioritized a family then. I didn’t think seriously of beginning a family then. In fact, the low rumbling of wanting had only just begun to surface. It had no shape or direction, only a distinct pang to attend it, every time another friend or cousin or acquaintance married or began to thicken with new life.

I incurred another $32,000 of debt for that endeavor. Just as I’m not particularly ambitious, I’m also not particularly practical or forward-thinking. I don’t plan very far into the future. This is not to say that I’m entirely short-sighted; I’m not.

But you should know that thinking far ahead has always been pretty difficult for me, as my life has been a series of unexpected, unforeseeable events I couldn’t have insulated myself from if I’d tried.

So I don’t really try.

Which brings me to this: there are some decisions that erode the supposed “charm” from the lives of those fortunate enough not to be touched by true calamity or affliction.

I made one such decision when I made you.

Listen: because I was a mistake, I know better than to call you one. You absolutely weren’t. You were no happy accident. You were no accident at all. You were, quite simply, a spectacular outcome. I want you to hear that, even now, even before you grow ears. You were a hope that burgeoned early.

I didn’t plan for you. But God knows I dreamed of you. Like I used to dream about an MFA, when it seemed I’d never be able to earn one. Like I dreamed of hitting all the milestones I somehow deferred, because I depended on the wrong people or believed the wrong things or thought myself unfit or incompetent to achieve them. You, like everything I’ve ever pursued but never truly envisioned myself attaining, were an iridescent abstraction, something beautiful in the background of a life I thought, maybe, someday, I’d be fortunate enough to attain.

Sometimes, you felt like an impossibility. I wept for you, longed for you from a pit so empty and echoing I was certain you’d never come and fill it.

When you were only a wanton hope, I romanticized you. I thought of making your bedroom a castle and taking you to grocery stores in a tiara and tulle skirt and purple galoshes or a cape, with a scepter, and cowboy boots. I thought of reading you Goodnight, Moon and Elizabeth Barrett Browning. Then, I thought of all the years you’d say you hated me, of all the desperate prayers that whatever you were doing behind your slammed bedroom door would be healthy and normal, not destructive and unconquerable.

Because I’ve known your father my whole adult life, he flitted through the foreground of every dream I ever had of you. I dreamed a two-parent home for you–as most women do–filled with money, teeming with love.

On the day I discovered you, growing–just days after my 30th birthday–this fortuitous wonder, this prospect whose depths my mind seems entirely incapable of plumbing–I began to name you. You were here, as certainly as I and your father are here. You are a part of the world, because you’ve been created.

I couldn’t bring myself to even entertain the idea of not bringing you from one precipice of being to the next. I couldn’t–I still can’t–see you as anything other than a beginning.

But for the first time ever, in my erstwhile “charmed” life, I have come to realize that I’ve always been right to assume that I’m not like other people. I am not strong and determined like all my single cousins who parent, or practical and wise like my cousin who chose another practical, wise person with whom to parent and partner. I’m not hopeful and happy and of a sound temperament, like the friends I’ve been fortunate enough to meet, who find the necessary grace to maintain relatively decent and workable relationships with difficult partners, for the sake of their children.

I’m not much of anything, except a woman who waits too long to do most things and not long enough to do others.

I don’t feel particularly cherished. I’m constantly paranoid about being someone’s burden. I feel resented, even by those who declare their undying love. I am this way because I’m a reader–of actions and deeds, as well as words.

I am not the type of person who would be able to keep your father’s sudden and utter unwillingness to raise you a secret until you’re old enough to handle it. And, because you are part me, you’d sense it even if I hid it with the stealth of a host of illusionists.

I am not the type of person who can guarantee you I’ll be industrious enough to earn enough as a single mother to avoid subjecting you to the world’s (and the government’s) crueler indignities.

I’m not even the type of person who knew, after nine years, what kind of man your father was, before I literally opened myself, to the possibility and the reality of you.

Even at 30 and even with a terminal degree, I am entirely unfit. Uninsured. Impractical. Immoral. Vaguely depressive.

Your life may not be as insulated from harm as mine.

And what worries me most, for you, is that none of this ever occurred to me when I longed for you here, in this home, in this life.

This barely occurs to me now, as you are here and I still want you so, though I know it would cost us both so much emotional deficit, so many rejections, so few days of light, in these first years.

It’s strange, to float about, untouched by much of anything at all, vaguely happy and only superficially sad, until making the one choice that has abruptly tethered me to a surface so hard and coarse and cold, so crumbling and concrete, that I wonder if we’ll ever know floating again.

My Poor, Neglected Blog.

I just noticed that my last entry was nearly a month ago. I’ve greeted this realization with chagrin. So don’t worry. My 30th birthday is in two days. I’m always good for a birthday post.

And I’m working on what I hope will be another flash fiction piece (like “Shhh,” but different), so that should be coming up pretty soon, too.

Lastly, my teaching semester is almost over, leaving the latter half of December wide open for posts. In case anyone cares.

Meanwhile, based on my blog stats, I’ve noticed that a lot of visitors arrive here hot off searches for info about Mute Math, and I want to answer two of those vistors’ top questions:

1. Every member of Mutemath is married, except the drummer Darren King. That includes Greg. And especially Paul.

2. Paul Meany didn’t write “Electrify”; he just sang it. He may or may not have a raging groupie problem. But the songwriter was Adam LaClave.

Happy Googling!

Shhh.

You named her: Rashida, after her father, in hopes that this would inspire him to linger. He said he liked the “Shhh!” in the middle: We’ll need that. You laughed, heartened. Maybe a namesake was all it took to tether him.

This laughter came before you knew that he was a spore adrift. Before, you’d felt accomplished when you’d cupped your hands and caught him; then one day, you kissed him and saw him float away.

She’s five now. Sometimes when you peek into the darkness of her bedroom and your narrowed eyes find her, a warm cashew-colored lump, snuffling softly under a fluffy pink comforter, you frown.

Today, Rashida needs you, needs you like you needed Rashid. Her hair is a complicated clod, matted mostly to the left side of her head. Somewhere, beneath the tendrils you’ll likely have to use scissors to untangle, there’s a ring of elastic you once thought would be useful.

“Mommy!” she squeals like the pig that she is. “You watchin’?!” Her fat feet thunder across the thin carpet. If you were soberer, you’d worry about the neighbors downstairs, the Asians who seem so prim and reserved and whose feet likely never make noises as loud as your daughter’s.

But now, curled on your couch, nursing your third rum-laced coke, you really don’t care. Alyssa Milano is brandishing a pistol on the Lifetime network. You cackle at her Jersey accent and begin to forget that Rashida has made your living room a miniature of the post-Katrina Astrodome.

She’s dragged her plastic rocking horse to a spot by the front door and ground potato chips under its runners. With a bat from her whiffle-ball set, she’s whacked several Happy Meal toys ten feet, in all directions. Their plastic appendages have scattered and landed half-hidden, like mines. A sticky red splat seeps into the cracks between your kitchen’s linoleum tiles, the emission of a drink box she spent fifteen minutes squeezing after lunch and, wedged under the rickety leg of your coffee table, is the trapped, flaccid arm of a naked Black Barbie–the only thing her father brought up to the hospital the day after she was born.

“You watchin’?!” Rashida presses again, pushing her weight onto her toes and reaching her crayon-wielding hand high above her bobbling head. She’s poised to draw electric blue curlicues on your rented, eggshell wall. You take a long sip and turn away. The small squeak of wax against paint lets you know she’s begun her work. Your eyes roll back and you feel submerged in a pool of liquor, which makes your grin. The grin lets slip a stream of drool.

When you come to, Alyssa Milano is gone and your apartment has been swallowed up in blackness. You pull a few strands of your hair from your mouth; it’s longer and oilier than you expect. Manic rushes of rain smash wildly against your building. Something furry and warm is nuzzling against your bare ankles and feet. You panic: you don’t have pets. Has something feral found its way under your door or through the windows that should’ve been closed before the windy torrents and thunder?

You want to move; you are very still.

A pressure damp and round presses, wet and warm against your ankle. You feel fur, hear a sigh, a smack (of lips, of snout?). Your heart seizes in the dark and, with all the might you can muster, you kick.

For seconds, there is silence as the animal sails backward, then a thud as it hits the ground. Relief slumps your shoulders, and your chest loosens. Then you hear her wail.

You’re almost sad; it was only Rashida, kissing you, quiet for once, in the face of real bedlam. Ragged, wounded sobs gurgle out of her now; you can hear her scrambling. Soon she’ll be on her feet. You reach out, where you think you’ll find her, somewhere by your ankles. You’ll pull her to you until she settles, at least. “Shhh,” you’ll coo till she’s fine.

A sharp burst of pain shoots into your palm. You can almost hear your skin breaking.

“You little bitch!”

You hop up from the couch too quickly and can’t decide whether to hold the side of your head to stop its wobbling or rub at the toothmarks punched into your hand.

But before you’re focused enough to hear them, Rashida’s footsteps are far left, up the narrow hall, toward the bedrooms. Her wails remind you of a raccoon you hit one night last summer. Your windows were down and you could hear its alternating screeches and whimpers for nearly a mile.

A chute of lightning touches down right outside your front windows. For a second, the house is almost as bright as it was before the outage, and you see her, rounding into the bathroom. She’s cornered. You get to the doorframe and reach into it just as she’s swinging it forward, then recoil before it slams shut.

Your hand slides along the immobile metal knob.

“Open this door right now, Rashida. I’m not playing with you!”

The threat sounds slobbery, toothless. You realize you’re slurring and blush.

What would Rashid have done if he were here? He’d probably have bitten her back.

“You come out of there right now!” you shriek, stamping your foot for emphasis.

Rashida’s sobs are petering. First, you figure it’s the rain getting louder. It’s the thunder rising, the wind clawing and gathering howls.

Then the high whinnying of the pipes breaks through and the bile pushing up your chest starts to curdle into a lump, nearly blocking your breath.

“Rashida?” you whisper. “Sweetie, open the door for Mommy.”

Your dulcet tone suddenly shifts your voice into strange, unfamiliar octaves. The vomitous splashes of water crashing into your tub grow heavier, scarier. You scream and kick, throw your shoulder into the door, but the old, weighty wood is stalwart, like a bouncer at the rope of a club.

You keep trying, until your head begins to throb and your mind clears. Then, you know: he wouldn’t have been here. He’d have seen all your late-night frowns. He’d have hated you, taken her, left.

The door swings, finally, forward and you fall before the tub, where your daughter floats.

Remembering Where the Wild Things Are.

Two seconds into Where the Wild Things Are, I was in love with it. Two minutes into Where the Wild Things Are, it’d reduced me to tears. It didn’t matter how terrible and reckless and awful Max was; I couldn’t shake the overwhelming urge to brush his shaggy bangs from his damp little face. I just wanted to sit on the edge of his bunk and reassure him that, someday, he’d grow into himself.

This is the real triumph of Where the Wild Things Are. The genius is not the puppetry and effects of the Wild world; it’s the unexpected evocation of the emotions we try to repress, of those awkward, selfish, dazzling years when no one understood us and we had yet to discover that we were also supposed to be trying to understand others. It’s strange how easy it is to forget what it felt like to be ten years old. It’s equally strange to find yourself feeling ten years old again, alone at a movie theatre—and not in that romanticized, apple-cheeked way Hollywood favors, but in the realest and ugliest of ways: destructive and lonely and certain it’s not your fault.

Strangely, the best parts of this film occur in the collection of moments before Max meets the Wild Things. Dave Eggers and Spike Jonze so masterfully captured the strange isolation Max feels; every inch of his body has grown attune to the full range of human emotion but no part of him has figured out how to manage it. For the first twenty minutes or so, Max wins and breaks our hearts about five times. He tugs at the toes of his mom’s nylons while telling her an imaginative little story. He frolics in an igloo built of heavy, wet snow and endears his older sister’s friends by starting a snowball fight with them. Then, he begins proving himself incapable of handling the situations he rips himself into. His tears are large and understandable. Like a tornado, he’s constantly spinning with awe and destruction, and you can’t look away.

By the time the precipitous incident occurs, where Max flees toward an unknown world, we understand him as our proxy and want him to find peace and acceptance, just as much as he does. So we feel genuine concern, then outright fear for him as he becomes more and more entrenched in his new place as “king” of the Wilds, a cluster of self-destructive narcissists even farther gone than Max himself.

Their appearance, at once monstrous and sympathetic—in a comforting homage to the 1963 source material—would be irrelevant here, if each creature weren’t so beautifully rendered. They are serious, complicated and duplicitous—just like Max believes his mother and sister are. But here, the stakes are even higher than they are at home: if Max doesn’t learn to figure out how to navigate the labyrinth of his new friends’ mercurial emotions, it’s very probable—almost imminent—that they’ll eat him.

For the sensitive, imaginative child, a fantasy world is not simply a retreat; it’s an academy. Max is in the accelerated program—and so are we. Fortunately for us all, Spike Jonze and Dave Eggers are very capable teachers.

In Case You’re Wondering…

I know I haven’t been posting new Maranatha chapters. It’s because I haven’t been writing new Maranatha chapters. And that’s because I don’t have any time.

But it’s also because it’s occurred to me, as I’ve gone back through and re-read a few segments, that Chapters 13 and 14 shouldn’t exist.

I definitely don’t think these two should’ve bedded down as soon as they have. For one, I’m not sure how to play that out. And two, it seems rushed and out of character for them both.

So what you may have, whenever I get the chance to really get back to this, is a reboot that starts with an alternate Chapter 13 and beyond.

… And that’s where I am with that.

Thanks to all who were reading. I hope you’ll join in again, whenever I join in again.

A Post-Pentecostal Musing.

People hear that you grew up religious, and they can’t imagine you’d have a complex relationship with faith. If you believe one part, you must believe it all. But who gets more chances to see the absurdities than the devout? An answer that’s satisfying on Sunday becomes contradictory by Wednesday night. Belief is a wrestling match that lasts a lifetime.

— Victor Lavalle, Big Machine

What I am is haunted: stalked, reticent, silent. I can’t dance to any song, watch any film, hold any man without feeling surveilled. No thought goes unheard; no motive remains mysterious. I am hawked, dogged, tracked. There are no restraining orders. I can’t speak to the degree of shell-shock in others; I have only my own to catalog, to manage. What I have are memories, of an elderly woman shoving a huge leather-bound bible into my hands so the devil the pastor was about to cast out wouldn’t “jump into me,” as I sat waiting two rows behind the altar; of a man lifting a leg to the back of his neck and standing on one foot while ministers prayed for him; of the HIV-infected visiting prophet whose testimony involved locking himself into his church for three days until the spirit of homosexuality left him.

What I have is a residual belief in the strangest of all my strange experiences, a lingering pre-intellectual instinct that keeps me from being an entirely rational thinker. Some nights, I still think I’ll see a demon at the foot of my bed. Some mornings, I still wake and panic about whether or not the Rapture occurred while I slept and I, for whatever transgressions I committed between dusk and dawn, have been left behind.

What I see when I envision God is a vapor overlaying everything. A voyeur, a protector, an executioner, depending on the day. Binocular eyes, a sword to slay giants, and sickles for hands. Body of stone and body of air, at equal turns.

What I see when I envision Jesus is a hippie, barefoot, in blue tattered dungarees and a white linen tunic embroidered with navy thread. Listening and pacing and staring through the cookie-sized holes in his palms. Smiling and running frustrated fingers through crazy-thick hair.

What I hear when someone tells me he/she is a prophet is an echo: an imperceptible white noise beneath loud and sincere speculation.

In some half-carved hollow that logic can’t touch, I believe everything. No matter how thoroughly the messages of my brain excavate the corners of my body, they never find this hollow. Their reason can’t be heard here. I believe that prayer has the potential to animate paralyzed limbs. I believe people who insist that their malignant growths have shrunken to non-existence. I believe a bush can burn without being consumed. I believe a too-wistful woman can transmogrify to salt.

No amount of evidence or education can completely erase my socio-spiritual imprinting. What is there will always be there.

But age intensifies suspicion. Experience encourages examination. I cannot be a scholar without questioning. I cannot be a woman without relinquishing some of my naivete. I know that I know very little for certain, and wondering calms me.

I know that the answers I’ve always been given are not quite whole answers at all.

36 Tweets About 9/11.

This morning, I found myself on Twitter, reading a lot of reflections on the collapse of the Twin Towers. Usually, I don’t write about 9/11 because I don’t feel like it impacted me as profoundly as it has many of my friends, friends who were there, friends who lost loved ones, friends who’ve since gone to war. In short: it’s never felt like my story. It’s never felt like something I’ve earned the right to write about. But today, it just happened.

These are my tweets.

here’s where i was: in an elevator, surrounded by suits & secretaries. “someone bombed the world trade center.” “again?” was the bland reply.

we were expecting to arrive in our respective offices to find news of a corridor or even a floor taken out by a small handmade explosive.

my own boss sent our office home. “go be with your families,” he said, clearly speaking to himself, having forgotten he wasn’t alone.

we scattered, with words rapping woodenly against our intellect. “one of the towers collapsed!” “oh God, the other one, too?”

we couldn’t fathom it–and without footage, with only words to paint the picture, it hardly seemed real.

at the time, i was living in a foreclosed house with my mother, every day fearing the arrival of a sheriff and eviction minions.

when i called my mother to tell her i needed to be picked up, she was wholly annoyed b/c she’d just dropped me off.

“they sent us home b/c of the world trade center bombings?” i said, words like “collapse” receding under my vision of a small-scale attack.

“somebody bombed that place *again?*” mom said. she huffed, “fine; i’ll pick you up at the train station.”

the streets of baltimore were all but empty at 9:30 am. the deserted thorofares were what first struck fear in us.

9/11 wouldn’t be real for me until 10 am, when i got home, sat in front of a TV and didn’t move until 10 pm.

i was afraid to pee. afraid to eat. afraid to leave the foot of my mother’s mattress.

we sat there, watching peter jennings report himself parched & haggard, with rolled sleeves & red rimmed eyes, w/tears caught in his throat.

“the people who jumped, ” mom whispered, “some of them were flapping their arms.” determined to fly.

mom swore she heard bin laden say, “i did not do this thing. but praise allah.” i’ve still never heard this. i wonder if it was imagined.

i wonder if our hearts heighten villainy when our eyes and ears disbelieve it.

years later, i lived in yonkers. @feministtexican & i could see twin shafts of light shuttling into the firmament, from lamps in manhattan.

@feministtexican and i were determined to get to ground zero that year. “let’s go see the lights!” we got stuck in traffic.

we detoured first, for cupcakes.

we didn’t make it till midnight. no longer 9/11.

but there were still lingerers, poring over the pictures and withering petaled bouquets. the lights still coursed toward some spot above sky.

i remembered a weeping CEO who blamed himself for being out of the office the day he lost all his employees.

i remembered a 20/20 profile on all the immigrant workers who lost their lives that morning, working their shifts at Windows on the World.

i remembered.

i never write abt 9/11. so i don’t know what made me do it just now.

there are things i’m leaving out, like how i called a frenemy to make sure she was okay. she answered, agitated and spooked.

said she was walking from manhattan to brooklyn b/c the trains were closed and the roads were gridlocked.

she described the sediment, rolling like clouds.

that day, as always, i envied her.

it was a child’s envy: there she was, centered amid the mythos, while i was at the foot of a mattress, unable even to imagine her experience.

(i hate writing honestly.)

and i’m not even being *as* honest as i should be. i haven’t talked abt how my mother and i laughed that day.

laughed the way family laughs at repasts.

i haven’t confessed my wry commentary while @feministtexican and i were bumper to bumper with mourners.

i didn’t mention how my own drama diminished my ability to absorb the full impact of the images i watched that day.

Poetry Sundays with Stacia: A Conversation with Tara Betts.

Just a quick reminder that I’m blogging about poetry over at AliyaSKing.com on Sundays. This week, we feature an interview with the lovely, gracious, wonderful poet Tara Betts whose book, Arc & Hue, was released September 1.

Here’s one of my favorite excerpts from our conversation:

There is no easy path to writing. It’s hard work and you have to read deeply and widely. Don’t just read things that you relate to or that mirror your experience. Read about what you find different, unusual, informative. When you do sit down to read anything look at the structure, the word choice, the turns, each sentence or each line. Take notes. Reading can teach you a lot about what you want to write or don’t want to write.

Read the rest of the article here.

Poetry Sundays with Stacia.

Great news! Starting today, I’ll be writing a Sunday column for journalist/novelist/co-memoirist-to-the-stars Aliya S. King’s website!

I’ve started to write poetry again this year, after a seven-year hiatus. So Aliya has invited me to write about my return to the genre in an ongoing series of Sunday posts.

Poetry Sundays with Stacia will discuss:

– the ups and downs of the poetry-writing process
– the works of poetry legends like Gwendolyn Brooks, Robert Hayden, Sonia Sanchez, and Langston Hughes
– the works of contemporary poets like Suji Kwock Kim, Major Jackson, Tara Betts, and Randall Horton
– elements of poetic craft, such as musicality, internal rhyme, voice, and form/structure

It’ll also feature:

– Poetry Vlogs submitted by readers
– Interviews with burgeoning and renowned poets
– Poetic works-in-progress by myself and other guest contributors

Check out the inaugural article right here! Hope you like it! If you’d got suggestions or would like to be featured, please be sure to let me know!

a birthday poem.

My aunt’s birthday was last weekend and a lavish party was held in her honor at the Radisson in northeast Grand Rapids. This is the poem I penned and read for the occasion:

Aunt Melita, you’ve been
our moment in an African homeland,
otherwise only fabled.
You’ve enabled your nieces to feel
beautiful and pixied, your nephews
to believe themselves warriors kings:
our very own urban fairy godmother.

Your house on Hall our sanctuary,
on Elmdale, our moated castle,
we summon you when we feel hassled
like Black Cinderellas or aggrieved like
Afro’d Auroras in Sleeping Beauty,
come expecting you to wield your
glittering wand of wisdom and save us
from our latest little snare.

And you do,
and you do it with flare.

We’ve been known to stare
after your flowing garments,
wind whipping through them like sails,
as you flit from room to room
a whirlwind of amenity.

You:
who taught both rebel yells and respect,
are a phoenix risen from the ashes of
your namesake in Natchez,
the bottomless ear into which
we whisper our secrets.
You’ve quelled fears and kissed knees
and cried the tears we’ve learned to bottle.

We love you because you do not coddle.
We love you because you leap and
you beam and you scream from all our sidelines.
We love you for all the guidelines you gave but never
forced us to follow.

You will genius and beauty into all our darkest hollows.

So this is not just a celebration of your birth
it is an intricate dance of mirth, a sacred act
of thanksgiving to a God gracious enough
to form your bit of bark on our family tree,
a homily in honor of a woman whose
loveliness we’ve all been blessed to see.