Survival Will Not Be The Lesson.

The world has gone both cacophonous and quiet, both chaotic and eerily still. Each person’s experience is wildly disparate. Contagion calls both for unanimity and for splintering.

If we are to live — not to stay alive, but to value life, not to test negative, but to live — we must all first decide that we are all worth saving; only then can we all reach a shared conclusion that sequestering ourselves is worth the effort. More than a median of us must agree that cottony muzzles cannot be avoided, that mouths must remain unseen, that breathing now requires a counterintuitive covering of our noses.

Those are our imperatives. For nine months, those have been our imperatives. But as a nation, as a culture, as a society, we are still too disinclined to meet them. It is difficult to reach the same conclusion — that we have some role in our own survival, that a force beyond our control may render our efforts moot, but we must still decide each day to make an effort — when the variables between us are so vast.

In the final accounting, I imagine we will not arrive at the same conclusion. Those of us who walk away will do so with far different precepts in their pockets. This is no fictive apocalypse where collective emphasis remains on survival. In a real population-altering pandemic, survival will not be lesson.

I know fewer than a handful of people who’ve tested positive. I know of people who’ve lost their parents and children and spouses. I have had the extreme privilege to work from home and supervise my daughter’s online instruction. And from home, for work, I have spoken with families who’ve sent their elementary schoolers to re-opened schools where teachers and children have contracted the virus and, in one case, where a principal has died. I have spoken to the custodial staff at colleges where adequate PPE was not distributed until COVID clusters cropped up on undisclosed patches of campus. I have heard the courage that crisis exacts from those already too accustomed to crisis.

The horror itself is a Rorschach. Our perception of what is inked individuates. For some, the blot is incompetence, an infection of avarice and callousness made sentient. For others, the blot is community spread, a natural disaster exacerbated by our bottomless craving for closeness. Long before this, we knew that we cannot exist alone. And now we know there is at least one circumstance where we cannot exist together. Not safely. Not without risk far too intense for the taking. The blot is an unending grief unfurled. It is carnivorous. It consumes futures. The blot is an instigator, an organelle of pointed fingers, an unending mitosis of blame. The blot is biological warfare or else a hoax; a conspiracy that mutates among the most dogged deniers, even as confirmed cases continue to climb past the millions.

We are told we have rounded a corner. Competing companies vie for bragging rights to the highest percentage of their vaccine’s effectiveness. We are told they will offer it at cost; that we can all begin to have it as early as March. I have little choice but to believe it, just as I believe that no plague lasts forever, just as I believe that as stubbornly as some humans have elected not to protect themselves and those they know, others are just as stubbornly committed to protecting perfect strangers.

That is the infuriating paradox of our species. At our most susceptible, we behave as though we are invulnerable. At the very moment when Life decides to prove that nothing we’ve amassed can protect us from its ravages, we intensify our sense of entitlement.

What I will remember was that no one protected us from each other. No one protected us but each other. What I hope is that when God created us, if indeed He did so in His image, God was as much a contradiction as we are. And it is that contradiction, rather than any temporal consensus or uniformity, that will work to keep what’s left of us alive.



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about stacia

Stacia L. Brown was born in Lansing, MI at the very end of the 1970s. She grew up in Baltimore, MD–the county, not the city. She graduated from Trinity College (now Trinity Washington University) in DC with a BA in English and worked a few office gigs, while trying to jump-start her writing career, before moving to New York for grad school.

At 27, she finished an MFA in fiction at Sarah Lawrence College. She spent the next six and a half years working as an adjunct writing professor first in Michigan at Grand Valley State, Kuyper College and Grand Rapids Community College, then in Maryland at The Community College of Baltimore County and, for one dazzling semester, at MICA, while also working as a freelance writer for various publications, including The Washington Post, where she currently serves as a weekly contributor, New Republic, Rolling Stone, The Atlantic, and others.

In 2010, she became a mother.

For a semi-complete list of Stacia’s online publications, visit her bylines page.

Her short story, “Be Longing,” was selected for publication in It’s All Love: Black Writers on Soul Mates, Family, and Friends (Doubleday/Harlem Moon 2009), edited by Marita Golden. Her poem, “Combat,” appears in Reverie: Midwest African American Literature. Her essay on adjuncting as a single mother appears in the Demeter Press title, Laboring Positions: Black Women, Mothering and the Academyedited by Sekile Nzinga-Johnson.

Stacia served as the 2013-14 Editorial Fellow for Community Engagement at Colorlines. In June 2015, she was part of the inaugural Thread at Yale class. She was a 2015 participant in Women’s Media Center’s Progressive Women’s Voices training program. She was a 2019 Tin House Scholar and a participant in the Cambridge Writers Workshop in Paris, also in 2019.

In addition to her work in print, Stacia is also an accomplished audio storyteller. In November 2015, Stacia became the creator and producer of Baltimore: The Rise of Charm City, a radio and podcast series that tells intergenerational stories of place and memory in Baltimore City. Baltimore: The Rise of Charm City is part of the Association of Independents in Radio (AIR)’s 2015 Finding America: Localore project and is produced in partnership with WEAA 88.9.

She is the creator of Hope Chest, a collection of audio essays written to her daughter and present in podcast form at SoundCloud and Apple Podcasts. Hope Chest has been featured on BBC Radio 4’s Short Cuts and the Third Coast International Audio Festival podcast, Re:Sound. It was named one of Audible Feast’s Best New Podcasts of 2017. She also created and produces a micro-podcast for middle-grade book reviews, which her daughter narrates and hosts. It’s called Story on Stories.

In 2018, Stacia landed a gig at WAMU, as a producer of the NPR-syndicated daily news program, 1A. In 2020, she relocated from Maryland to North Carolina, where she produced radio and podcasts (including the incomparable Great Grief with Nnenna Freelon) for WUNC, North Carolina’s NPR station before moving onto other sonic endeavors. In 2022, she served as an advice columnist for Slate’s weekly parenting advice column, Care and Feeding.

Stacia resides in Durham with her amazing daughter Story.

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