New Gig, Old Ghosts.

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I discourage easily. This will come as no surprise to people who regularly read my work here. And I’m just coming to terms with the fact that all my days are marked with either a vague or an acute melancholia. I’ve always known that, but I’ve never been comfortable publicly, directly owning it. I can’t say that I’m depressive; I’ve never seen a therapist, never been diagnosed with anything. I do bear some of symptoms of depression, but I’m never quite incapacitated by these symptoms. They just sit with me, like familiars. And I function. Sometimes, in fact, they help me function, as it relates to writing.

I try not to talk about this too often, for two reasons. The first is that, when I’m sad or suffering from a fairly intense crisis of confidence or a bout of ongoing disappointments or genuine panic about the possibility that things may not actually work out in the end, people tend to think I’m fishing for affirmation and reassurance. I can assure you I’m not above fishing for affirmation — words of affirmation are my love language — but if I’m expressing an insecurity here at my blog or even on social media somewhere, I’m not trying to make others feel obligated to cheerlead for me. In truth, I have enough wonderful friends and family who do that without any prompting. They’re exceedingly patient about it and they never scold me for ingratitude or seem put-upon for their efforts. They’re just good to me, for whatever reasons, and I’m more grateful for them than I can say — even when I’m too down to see the goodness aligning all around me.

The other reason is less general, tied to the culture within which I was raised. I grew up in church in the ’80s and was reared at the height of the Word of Faith Movement. Positive thought and language was central to that approach to belief, and if you said that you were sad, you’d be chastened not to “confess that over your life.” It made God — who was a granter of declared desires, a supplier of needs and of supernatural self-confidence — look really bad. A lot of times, I heard in sermons that my personality, my reticence to hide my sadness, was an indictment against biblical truths like, “We are more than conquerors through him that loved us” or “Be anxious for nothing but in everything through prayer and supplication with thanksgiving, make your request made known unto God” and “Do not be sorrowful, because the joy of the Lord is your strength.”

There was an emphasis on renouncing negativity — and sometimes, the labeling of things as “negative” — like certain moods, emotions, or creative expressions — felt untenable to me. “Don’t claim that” and “don’t confess that” were oft-repeated admonitions, especially during adolescence. So, in conversation, I learned not to express sadness. Or insecurity. Or jealousy. Or malaise. Or discouragement. Or feelings of inadequacy. Or fear that I wouldn’t find someone I loved enough to marry. Or fear of marriage, period. Fear of attracting (and re-attracting again and again) a certain kind of man, a certain kind of career outcome, a certain kind of fate. Those currents continue to pulse under my skin. Sometimes, they still show on my face. But I manage them by writing. Putting my “negative” experiences on paper comes with its own chastisement, but I’m better able to handle that than someone coming up to me and accusing me of not trusting God.

I am talented and I work hard at writing — or at least I work consistently at it. I read a lot. I try to develop informed opinions and challenge myself to articulate them well. And I also just want to move people. Especially the melancholy people. And even more specifically, the people who have internalized opinions of themselves that are hypercritical, unflattering, or ugly. I write for the self-conscious and for the people who cry over words, both good and bad ones. I write for those who feel compelled to hide — and for those who take tentative steps into spotlights. I write for the people who shrink at center stage, because they aren’t sure how they got there or if they want to stay.

And I don’t know. It’s hard to find homes for that writing sometimes. Welcoming homes, homes that pay, homes that don’t discourage lyricism or honesty. But I can also attest that, when you write — even when you feel most transient — so, so many outlets will open their doors. You will entrust something of yourself to them, and in turn, they will entrust something of themselves to you. And it will be okay that none of these spaces become permanent homes.

You are not always down and out, when you are discouraged. You are not inadequate when you aren’t working where you want, at the pace you want. And your real feelings are more useful to others than any you may feign for those who are uncomfortable with candor. You aren’t “making a liar out of God” by being honest with yourself. For me, at least, “confessing” my actual, fraught, deficient, uncertain, doubting, terrified thoughts before God and man are an expression of how much I trust God not to condemn or abandon me. Honesty about how often I sit with sadness or how close discouragement often feels, that is the true measure of my faith.

In many ways, I think it also accounts for the opportunities I’m afforded. They are many. I am at once overcome and relieved and intimidated by them. I’ve no need to apologize for that. My joy has never been invalidated by my sadness.

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Starting next week, I’ll be writing for my friend Alyssa’s blog, Act Four, at The Washington Post. I’ve guest-blogged there before. Though I’ve blogged about both of those experiences, here’s something I didn’t share: the first time Alyssa invited me, she said that maybe it would turn into something more frequent. As is usually the case when I hear that, I didn’t hold the maybe in my palm. I didn’t turn it over or envision it or name-it-and-claim-it. I simply thought: if it will be, it will be. I put both the bridge and the crossing of it out of mind, until… well, now. May my measure of faith and my melancholic heart carry me over.



10 responses to “New Gig, Old Ghosts.”

  1. You know who you are and you don’t apologize for it. Your faith can be seen daily and being human isn’t a crime. Congratulations on the new writing gig! 🙂

    1. Thank you, trE! ❤

      1. You’re very welcome, Stacia. Very welcome, indeed.

  2. […] New Gig, Old Ghosts. (stacialbrown.com) — A refreshing piece that touches on not letting a “Word of Faith” upbringing discourage you from being honest. […]

  3. Right when I needed to hear them, your words found me. They’re really helpful that way. Thank you… and them.

  4. As someone who has depressive tendencies (as in, been diagnosed by therapists), and is also in a field where your personal work is constantly held up for scrutiny and the possibility of rejection, I have always found your writing uplifting and affirming. Even though I’ve never met you in person, I’m happy for you like a friend or family member. Best of luck to you with this new gig, Stacia. It’s well-deserved and a good reminder that merit does still count and can take you where you want to go. As always, thank you for sharing your words in this space.

    1. Thank you so much for sharing your part of your story and all of your encouragement, Danielle. It’s so appreciated, and I’m really glad to know you’ve been affirmed and uplifted by things I’ve written. ❤

  5. Congrats on the new gig and being super honest in your writing.

    1. Thank you so much, Evelyn!

  6. It’s as if you were speaking for me….thank you for sharing!

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about stacia

Stacia L. Brown was born in Lansing, MI at the very end of the 1970s. She grew up in Baltimore, MD–the county, not the city. She graduated from Trinity College (now Trinity Washington University) in DC with a BA in English and worked a few office gigs, while trying to jump-start her writing career, before moving to New York for grad school.

At 27, she finished an MFA in fiction at Sarah Lawrence College. She spent the next six and a half years working as an adjunct writing professor first in Michigan at Grand Valley State, Kuyper College and Grand Rapids Community College, then in Maryland at The Community College of Baltimore County and, for one dazzling semester, at MICA, while also working as a freelance writer for various publications, including The Washington Post, where she currently serves as a weekly contributor, New Republic, Rolling Stone, The Atlantic, and others.

In 2010, she became a mother.

For a semi-complete list of Stacia’s online publications, visit her bylines page.

Her short story, “Be Longing,” was selected for publication in It’s All Love: Black Writers on Soul Mates, Family, and Friends (Doubleday/Harlem Moon 2009), edited by Marita Golden. Her poem, “Combat,” appears in Reverie: Midwest African American Literature. Her essay on adjuncting as a single mother appears in the Demeter Press title, Laboring Positions: Black Women, Mothering and the Academyedited by Sekile Nzinga-Johnson.

Stacia served as the 2013-14 Editorial Fellow for Community Engagement at Colorlines. In June 2015, she was part of the inaugural Thread at Yale class. She was a 2015 participant in Women’s Media Center’s Progressive Women’s Voices training program. She was a 2019 Tin House Scholar and a participant in the Cambridge Writers Workshop in Paris, also in 2019.

In addition to her work in print, Stacia is also an accomplished audio storyteller. In November 2015, Stacia became the creator and producer of Baltimore: The Rise of Charm City, a radio and podcast series that tells intergenerational stories of place and memory in Baltimore City. Baltimore: The Rise of Charm City is part of the Association of Independents in Radio (AIR)’s 2015 Finding America: Localore project and is produced in partnership with WEAA 88.9.

She is the creator of Hope Chest, a collection of audio essays written to her daughter and present in podcast form at SoundCloud and Apple Podcasts. Hope Chest has been featured on BBC Radio 4’s Short Cuts and the Third Coast International Audio Festival podcast, Re:Sound. It was named one of Audible Feast’s Best New Podcasts of 2017. She also created and produces a micro-podcast for middle-grade book reviews, which her daughter narrates and hosts. It’s called Story on Stories.

In 2018, Stacia landed a gig at WAMU, as a producer of the NPR-syndicated daily news program, 1A. In 2020, she relocated from Maryland to North Carolina, where she produced radio and podcasts (including the incomparable Great Grief with Nnenna Freelon) for WUNC, North Carolina’s NPR station before moving onto other sonic endeavors. In 2022, she served as an advice columnist for Slate’s weekly parenting advice column, Care and Feeding.

Stacia resides in Durham with her amazing daughter Story.

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