‘I, in my father, have been.’

Gil Scott-Heron (1949-2011)

My social media feeds have become a worldwide wake, elegy, and repast for poet-author-musician-activist Gil Scott-Heron. I didn’t know much about him. So it feels like I’m viewing the body of an elder lying in state. You go to pay your respects, to hear the twenty-one gun salute, to observe the significance of the loss–but it doesn’t touch you as deeply as it does many of those around you, who have where-were-you-when stories about the first time they listened to an album or read a page or prayed for his recovery.

So rather than making this something more intimate than I have any right to make it, I’ll leave you with the (edited and revised) comments I left on Twitter yesterday, after learning of his passing:

I’ve lost a lot of beloved black men in the past few years–great uncles, a grandfather…. Gil Scott-Heron could’ve been any one of them.

There’s a kind of universality to the perils that plague black men and the ills that hasten their mortality.

Jessie Fauset once wrote, “I am no better than you. You are no worse than I. Whatever I am, you in your children may be. Whatever you are, I in my father have been.”

And it speaks to the connectedness of us all, of how there is no real moral superiority. We are all susceptible to self-destructive behavior.

When someone dies as a result of said self-destruction, our response should be to turn inward, to remove the beam from our own eye, and then extend our hand to others.

… Or maybe I’m reachin’.

God rest Uncle Billy. God rest Uncle Warren. God rest Uncle Hosie. God rest Uncle George. God rest Grandpa Mitch.

Sojourner Songs: A Mommy-Daughter Mixtape.

In just over two months, you will be one year old. You are what I imagine you will be: preternaturally strong, exploratory (insomuch that you have made every square inch of our apartment your personal safari), and formidable (insomuch that I’m almost intimidated by the way you lean forward, stare me down, and growl at me when I scold you).

To celebrate your upcoming voyage into newly broken ground, I am packing you a satchel full of things you’ll need to know and of things I hope you’ll come to love.

I have written it before and I’ll repeat myself often: growing up a blackgirl in our country is a singular experience. It is, at times, an iridescent wonder; at other times, it’s an odyssey more treacherous than treasured.

But thank our God that you were born to this lot; it is a lovely one. And in the event that a tempest tosses you off-course and you forget how magnificent our syndicate of sisters truly is, pull back the flap of leather that preserves these mementos of self-worth and remember, my love.

Remember who you are.

1. Lena Horne Sings the ABCs

Lena Horne is our royalty, our Glinda. Benevolent and achingly beautiful even dressed down in denim. She is the embodiment of elegance, and I like to believe we are all born with a measure of what was given to her in abundance. Tap in.

2. India.Arie Sings the ABCs

You already love this. Perhaps when you’re a bit older, you will tell me what value you’ve found in it. I’ve found my own. We’ll compare notes then.

3. Patti LaBelle Sings the ABCs

I’m not a big Patti LaBelle fan, but even I can’t deny how far she dug her foot into this little ditty. For your part, when you heard this for the first time, you leaned in as you are wont to do when things are important to you, and you watched the Muppets shake gospel tambourines to what is, arguably, one of the most important songs you’ll ever learn. You always absorb the alphabet. Though you can’t yet recite it, you understand its potency, that from it, all the words of our everyday world are formed. And what better way to hear it than with flat-footed soul?

4. Paul Simon Sings “Me and Julio Down By the Schoolyard” (with a little blackgirl accompanist)

Paul Simon is an incredible musician, but note how he’s nearly upstaged by the little girl beside him. This is the bold and expressive spirit I wish for you, the shoulder-shaking, full-lunged timbred, quick hand-clapping confidence of a girl who, at the young age of eight, has already found her space in the world.

5. Savion Glover Raps and Taps

Okay, Mommy admits this doesn’t entirely belong here, on a playlist of beautiful colored women. But Savion is always a good idea. You’ll see.

6. “Freedom is Coming” – Sarafina soundtrack

Leleti Khumalo is one of the most gorgeous women I’ve ever watched flit across a screen. As Sarafina, she is equal parts graceful rhythm and open defiance. Her performance is a cautionary tale about how close a young woman can come to losing her humanity in her fight for independence from injustice. Take note of this lesson and heed the position of the needle that guides your moral compass; it will serve you well.

7. “Mundeke” – Afrigo Band

We’ve danced to this. It is a Ugandan love song and you must be able to sense how much I love it, because you’re always quiet for its entire run. It’s almost as if you understand the language. Perhaps, in your way, you do.

8. “Kwazibani” – Nomfusi and the Lucky Charms

This song was written in honor of the singer’s mother, who passed away when she was 12, one of millions of victims of the AIDS pandemic slowly ebbing away so many of the world’s black women. May a reversal of this devastation reach our world within your lifetime.

9. “A Lovely Night” – Brandy, Cinderella

I can’t watch any part of Brandy’s Cinderella with you without crying. It reminds me of how miraculous it is to have a daughter, to whom I can impart all the wonders of my girlhood, with whom I can finally share all the pixie dust I sprinkled alone as an only child.

Listen closely.

Repeat all.

The Complicated Practice of ‘Shouting.’


* I’d like to apologize on behalf of whoever posted this for classifying this person as a “churchy white guy.”

It often begins with a promise. Nothing grandiose. It’s usually something commonplace, unremarkable on its surface. A statement that, outside the rapturous context of a Charismatic sanctuary, would seem merely sentimental or cliché. Without the urgent syncopation or the unrelenting bass, whatever statement sparked the frenzy would seem simply two-dimensional; it may have resonated from where it appeared on a page, but it would not have caused unbidden joy to surge up like a geyser.

It would not be the stuff of public spectacle.

This promise may originate in scripture, or in the oft-echoed archives of a minister’s book of sermons. It will likely resemble, “Your breakthrough is coming” or “… But God!” or “Joy comes in the morning,” though I have heard it in iterations both more profound and far less.

For the uninitiated—or the rhythmless—the spontaneous outbreak of loud prayer and dance known in many circles as “shouting” can be equal parts wistful and disconcerting.

I encountered the video above for the first time yesterday, though it’s been available on YouTube for nearly two years now. Watching it, I immediately shifted back to the neo-Pentecostal context within which I was raised.

We weren’t strict holiness; pants weren’t banned among women and makeup a-plenty could be found on their faces. But we, like our ancestors, believed that the day of Pentecost recounted in Acts could be recreated in services on Sunday mornings.

This in-filling of the Holy Spirit we found ourselves re-enacting through dance and indiscernible utterance was a regular, if not frequent occurrence. The keyboardist would strike an initial chord and halt, a cue to those eager to revel that their time was about to come. Congregants arose, expectant, as the same musician teased out a few more riffs before stopping short once more, this time to leave a preacher room to reiterate his proclamation–and within minutes, the floors, though plushly carpeted and the chairs, though neatly arranged to give the place a more contemporary feel than arcane, hymnal-holding pews, begin to shudder.

Now, in my time, I have been both an active participant and a detached observer of this practice. I was always more comfortable standing relatively still during the worshipful melee, being quietly reflectively, like someone whose life is flashing before her eyes as she stands in the eye of a tornado. Though it’s been the experience of many that “shouting” makes them feel closer to God, I tend to feel closer to Him when I refrain from it. I imagine myself standing with Him, watching, and I try in great vain to read His mind.

Participating in a shout means risking being consumed by it. I do not fancy myself a control freak; I believe in recklessly abandoning decisions and actions to faith. I am less comfortable with forgetting my self and surroundings in a public setting. I am never entirely un-self-conscious, and whenever I attempt to dervish in this way that indicates the “liberty” I feel in Christ, it often feels false, conjured simply because the music and the congregation call for it. It feels less unprompted than orchestrated and I’m unable to concentrate on God when I’m questioning my own sincerity.

Mind you, in the privacy of my home, with an Israel Houghton track or my own voice or a worshipful silence as accompaniment, I have been known to gesticulate wildly and allow my body to be the prayer my mind cannot construct.

But that’s private.

There have been other times when I have looked with longing at the dancers all around me, completely unaware of my conflict and experiencing no similar ones of their own. Like the brother in this video, I’ve clapped with restraint and with hope that I’d feel, even if for just a moment, whatever they were feeling. These are the moments when I’m able to lay aside my skepticism that the whole thing is so much pomp and performance, and I wish I knew how to entirely leave my wits for a moment simply for the purposes of praise.

So I can relate to him, when he’s called out by the minister who lays his hands at the man’s feet, trusting that God will grant him, not the ability to jig, but to be entirely un-self-conscious in his pursuit of closeness to God. I won’t get into my lifelong fear of being “called out” of a congregation and summoned to the altar for prayer, where the minister insist that the Lord has told him to reveal some secret facet of my life to everyone within earshot.

That’s a different essay for a different day.

This is just about what it is to subscribe to a faith whose practices are often as unsettling as they are uplifting and edifying.

Rest in Peace, Phoebe Snow.

1952-2011

I have a lot that I want to say about the passing of Phoebe Snow. But I don’t have time to truly do it justice. So I’ll just state my intentions and hope they resonate with you. I want to talk about how listening to her makes me feel closer to my father, because without him, I may not have known who she was. One of my best memories with him is listening to “Poetry Man” for the first time, as he drove me around. At the time, I was constantly plagued by this idea that I didn’t know him well enough. All my knowledge felt superficial. Like, I knew him to be a fan of doo wop, R&B, and funk. I knew he likes Earth, Wind, and Fire and The Whispers. But watching him reflectively listen to this quiet song of longing gave me insight into a part of his character to which I’d never been exposed.

I want to talk also about how I just learned today that, while her career was at its peak, Snow gave birth to a daughter with severe brain damage and paused that career to care for her. When her daughter died four years ago, she started to perform again, as a kind of catharsis. But within three years, she too would experience brain trauma; she hemorrhaged in January of last year. As a relatively new mother who’s also at the genesis of a productive writing career, I can’t imagine how different life would be if my daughter hadn’t been born healthy and cognitively independent.

What wonderful mothering. What enduring song.

Rest in peace, Mother Snow.

Phylicia Barnes and the Black Girl’s Burden.

Phylicia Barnes

I was home for the holidays when Phylicia Barnes went missing. My immediate family—all women, now four generations deep, with the birth of my daughter—huddled around the small kitchen TV, listening to local news anchors explain the facts surrounding Barnes’ disappearance: black high school honors student from Monroe, NC comes to Baltimore, filled with excitement at the prospect of strengthening her relationship with a half-sister she barely knew and was likely eager to impress. During her visit, the sister, Deena, age 27, allows Barnes to drink alcohol and smoke marijuana—practices her mother expressly forbade at home. Barnes was last seen alive at her half-sister’s apartment; the only other person in the home at the time was the sister’s ex-boyfriend.

Perhaps the most chilling thing about this incident is how relatable the circumstances are. Family comes up from down south all the time, hoping for a bright lights-big city experience before heading back to the slow-ambling comforts of home. One half-sibling wanting to establish a bond with another, after only just discovering she had half-siblings in the first place? Also pretty common. An older sister who barely knows her younger one not being as protective as she should? That’s a familiar scene. A mother tentatively encouraging her daughter to connect with her estranged father’s side of the family, in an attempt to be a supportive, inclusive parent? Not uncommon.

For it all to end in a disappearance and, as of yesterday, the discovery of Barnes body floating in the Susquehanna River, is all the more devastating, because we can easily put ourselves in the positions of at least one party involved in this tragedy.

Reportedly, on the afternoon that she went missing, Barnes had planned a day trip, errand-running and bonding with another sister who lived in the area. She’d gotten dressed and confided her plans to the ex-boyfriend of the sister she was staying with. He was said to have called out of work that day, deciding to stop by the apartment to do his laundry while his ex was at work.

Who among you hasn’t stayed with a friend or relative, only to find yourself alone in a room (or the whole house) with an acquaintance of your host, an acquaintance who’s completely unfamiliar to you? It’s one of the most vulnerable feelings in the world. Can you trust this person, on the strength of his relationship with your friend/family? Or should you be as wary as you’d be with any complete stranger?

At 16, Barnes likely wouldn’t have had the instinct to distrust this dude on sight; surely, her sister wouldn’t give someone potentially threatening access to her apartment when she wasn’t home, right? And even if she was naturally suspicious, she wouldn’t have known the city well enough to just set out on her own; that would’ve been jumping from the frying pan to the fire.

Marciana Ringo

As a viewer, I knew pretty early on that this wasn’t going to end well. The case immediately reminded me of Marciana Ringo, a Baltimore eight-year-old who went missing nine years ago. (Wow. I just realized how long ago this was. Ironically, if Marciana had lived, she too would’ve turned 17 this year. Phylicia Barnes’ 17th birthday was in January, mere weeks after her disappearance.) Ringo’s soon-to-be-stepfather, Jamal Abeokuto, claimed to have dropped her off at school without incident on the morning that she went missing; eleven days later, her body was found in the woods. Within weeks, Abeokuto was arrested—and eventually convicted—for killing her.

That’s how a lot of missing persons cases involving blacks in Baltimore resolve. It’s rare that someone is kidnapped and later safely returned. Often, by the time the case is closed, someone the victim knew, at least tangentially, is arrested and/or convicted in connection with the killing. According to The Baltimore Sun:

In Baltimore, a person is reported missing nearly once a day — police investigated 352 reports last year, and found all but four people. Those who were not found, police believe, were killed in domestic or drug-related disputes. Most victims had something in their past — a bad relationship, a link to nefarious activities or people — to which a motive could be attributed.

Even Barnes’ mother, Janice Sallis, who arrived in Baltimore, after calling the Deena to check on Phylicia and finding out that she couldn’t be found, was steeling herself for the worse. I remember watching her on the local news, commenting on how despicable it was for whoever had taken her–she was certain she hadn’t run away or wandered off alone–to take advantage of the young girl. “If she’s alive,” she said, “she’s scared to death.” The “if” was significant; Sallis knew the odds.

Still, the Barnes case had its distinctions from other missing persons cases in Baltimore. First, Barnes was an out-of-towner. It’s probable that the Baltimore police felt a particular pressure to solve the case because of this. Because Barnes knew so few people here, it was difficult to find leads and suspects. Aside from the ex-boyfriend, there were no clues. At one point in the investigation, a family member reported that the 16-year-old had texted to say she was leaving the house to find a meal before her sister arrived to take her out, but she didn’t mention whether or not she was alone. If this were the case, then her killer could be anyone she might’ve encountered on the walk. By extension, the killing of a tourist could bring substantial bad press to the area.

Initially, the opposite was true: there was very little press on Barnes’ disappearance at all. But as the trail grew colder, Sallis became more visible in her quest for answers, and missing persons billboards went up in search of Phylicia, a campaign began to garner national attention. Chief spokesperson for the Baltimore Police Department declared, “Phylicia Barnes is our Natalee Holloway,” as he expressed bewilderment about the dearth of national coverage.

It worked; Sallis’ appearance on the national news circuit. The FBI joined the search. Search efforts redoubled.

It’s a common complaint that the disappearance of black women in this country is rarely treated with the same gravitas and public outcry as the disappearance of white women. This belief fueled the coverage campaign for Barnes and, eventually, yielded yesterday’s results. Though initial autopsies were unable to reveal the cause of Barnes’ death, hopes remain high that the recovery of her body will result in the necessary leads to find her killer.

For my part, the disparities between these of these incidents of disappearance don’t end at news coverage. The resolution of this case only confirms something I’ve long been taught by my foremothers: black girls are least likely to survive the adolescent experimentation with which every teen finds herself confronted. The wrong car ride, the wrong walk to the corner, the wrong party invitation, the wrong sleepover at the wrong house can get us killed.

In addition to hoping for justice, I also want this case to ingrain the following message: vigilantly guard your own safety, even among friends, even among family. There is no guarantee that they’ll do it for you.

Seasonal Sibling Envy.

This week, I announced on my Facebook page that I’m taking blog topic requests. I’ll take a moment now to extend the same invitation to readers who may not necessarily be Facebook friends: if there’s anything you’d like me to write about in the next ten days (03.26.11-04.02.11), please email me. At any rate, the entry below is in response to my first query: Do you have siblings?

I was raised alone. Neither of my parents have any other biological children. I’ve come close to having siblings. I’ve had step-siblings, but ultimately, I was raised alone.

This was starting to freak me out, by my late 20s. Three years ago this month, my grandmother succumbed to an eight-year battle with Alzheimer’s. My father, my aunt, my uncle and I arrived at her bedside within a half-hour of her last breath. My grandmother had siblings–all older brothers; she was the last survivor. And as we sat in her room, in the assisted living home where she’d lived out her last years, I envied my father his siblings and my aunt, her husband. Within hours, a few of my first cousins–a brother and sister, four and five years younger than I–would arrive, but I shared none of the intimacy with them that they had with each other.

There’s something about the cusp of your thirties that makes you realize your mortality. If you’re fortunate, up to then, you haven’t experienced a great deal of close loss. Your grandparents are still alive, as are your parents. No one’s been ripped from you by untimely or arbitrary means.

But by 29, you will likely have known grief, perhaps even profound loss. You’re old enough to fully comprehend death’s permanence. Confronting the passing of others forces you to accept that, one day, you will be someone else’s loss. Someday, it’ll be you, drawing the last air this earth will offer you. And for me, the only child, this was becoming a pretty chilling thought.

I wasn’t raised to fear death. “Rejoicing” in someone’s “absence from the body” is a pretty common Christian tenet. To be absent from the body is to be present with the Lord, after all. We call our funerals “home-goings.” Sometimes, we play dissonant, uptempo music; it’s a very… communal, very organic experience. We grieve, to be sure. But we take a great, great deal of solace in everyone who remains on this side of glory–particularly our closest family. But what of the only child? When a repast ends and parents are off with their own siblings and peers, with whom can we process a loss, back at home?

Now, I wasn’t raised to lament being an only child, either. Growing up, birth (or… the absence of birth?), like death, was often considered the will of God. So that I didn’t have siblings seemed to have been a divine intention. Of course, I had no knowledge of such philosophical ends as a little girl. I didn’t know why I didn’t have a brother or sister. But I wasn’t the kind of kid who expendeda lot of energy wanting one, either. I don’t recall praying or asking for one. I didn’t spend much time in the presence of peers who had siblings. (I was home alone a lot, after the third grade. I wasn’t allowed outside until my mom was home from work and by then, it was often too dark to play. I also didn’t belong to any consistent play group. In the ’80s and early ’90s, playdate culture was still in its infancy.)

Until I was about 12, my closest friends were other only children*. We didn’t see much wrong with how we lived. We didn’t have to contend with the insecurity of constant comparison. No worries over whether or not our parents preferred one of us over the other. No inferiority complexes after our little brother proved himself to be a chess prodigy. No birth order psychology to overcome.

But it also meant a lot of time alone.

Ironically, my most isolated times were not during school years in Baltimore, where none of expended family lived. They were in Michigan where I had no fewer than four close-aged cousins on either side of my family. Grown-up family would facilitate extended sleepovers, and for a few nights a year, I’d catch a glimpse into the world of multi-child households.

By the time their parents returned to whisk them back to that world, I was so full of gossip, giggling, Truth-or-Dare, secrets, tiffs and reconciliations, that my eyes would well, my chest would clinch, and I’d mope for days following their departures.

Back at home, I had no such emotional outbursts. Like most only children, I re-acclimated to being alone rather quickly. I did it through imaginative play, reading chapter books, writing wild unicorn stories, and watching an inordinate amount of cable television.

Unless I marry and conceive in the next five years, my daughter will be an only child, as well. Having gone through it myself, I’m hoping to provide her with many opportunities to circumvent the loneliness.

* In kindergarten, my best friend was a middle child. But her brother was too little and her sister too old for me to find either relationship appealing.

And It Hurts Coming Back to Life.

Feel everything. To resist is to prolong; you need to hurry. It will begin slowly, as an ache afar off, in a distant antechamber of the mind, this memory of a maize-colored boy with grey eyes, whose skin smelled ever of Cool Water. Think of him and his disinterest, think of the adolescent years you spent watching him want every girl but you, and of those brief moments of hope when your friends would play Telephone and deliver you the message that you were not as big a bore to him as you supposed.

Sensation will return first to your marrow. It will warm when you remember what it was to want and not receive. Absorb this hurt and other tinglings will return.

Reanimation is burdensome. You will find that coming back from years spent literally chilling in a cryonic chamber is not as simple as sci-fi tropes would lead you to believe.

Your looks have altered; an ashenness will ever overlay your brown. And though your irises may glisten again, the whites surrounding them are veined and yellowed. This frigid state has leathered you.

It will not be an easy adjustment, confronting old insecurities head-on, while battling these new ones. All the women to whom you’ve compared yourself have chosen to continue evolving, while you chose to pause, under pressure.

Many men who might’ve been matches have gone forward and grown while you froze.

Love will return; it is hardy. It has been known to thrive, even in tundras. But it will not be as unabashed as it was. In fact, love will be the last of the things you re-learn. You cannot redeem it at any location you’d left it before.

This isn’t a lost-and-found. There will be no retracing of steps. Forge new paths.

And in each new space, expose more. You are not the numb woman you were; you’re bionic: every nerve an electrode, a-sizzle, every bruise, an absorption of power.

Feel. This has been foolish.

No respite is worth the loss of recollection, no pain worth relinquishing feeling.

It is time to come back. Go forward.

What We Talk About When We Talk About Love.

Fill her with wonder. Convince her that the feeling is less the flitting of butterflies and more the plumping of caterpillars: fuzz filling her insides and, at the first blush of reciprocation, it is the spinning of a chrysalis, the building of a silken borough that may open at the flutter of a first kiss or the airy bliss of barely touching hands.

This is what she needs to know of love.

It is tender missives full of youth’s hyperbole. In an amoebic form, it can begin in the sandbox. The boy who pastes his sloppy lips to the peachy round of her cheek may mean it.

He is not always a mimic.

This will be important for her to carry later. Tell her to pocket your promise: men do not always mimic.

They are not crude facsimiles of the fathers who failed their mothers. They are not the statistical likelihoods our cynical culture will claim. Not always.

There are some who are not conquistadors; they will not treat you as a creature to be branded or broken.

There are some who do not view you as an isle of escape; their gaze will not turn scornful upon learning than you are more than a port toward which they can sail.

Love is more than a welcome distraction. It is everything Paul’s first letter to Corinth suggests. But it does not always manifest itself as patient. It does not always know what it means to be selfless. It is rarely aware of how susceptible it makes us to hurt.

We must be careful with it and pray that it is careful with us.

Love is minutia, but it is also the momentous. Do not let your sentiment shortchange you. Never believe that it is only holding one another or whispering hopes under moonlight. It is the sharing of considerable assets. It is the saving to jet off to Greece. It is the dowry he stored for a marital house and the decision that you should be its cohabitant.

Love is an insulation from the shrapnel of the outside world’s criticism. It is a conduit for longing.

It looks like this when it has no able recipient** (ff to 5:16):

It feels like this, when under-explored:

Do not tell her that when it goes bad, it bulldozes. Don’t tell her it lays waste to what you were.

There are some things she should learn of her accord. Her love will lead her through a labyrinth quite different than your own.

Just pray that at its end, she finds a mirror. Hope that when she peers at the woman inside it, she still recognizes her as herself.

 

* Shout-out to Raymond Carver for the title of this post.

** The embedded clips here are from Richard Linklater’s 2004 sequel, Before Sunset. If you haven’t seen it or its predecessor, Before Sunrise, get yet to Netflix, post-haste. Add a baby and some melanin to Celine in that first clip and she is me.

Philippians 1:3.

I thank my God upon every remembrance of you.

From ages 8 to 15, I was a member of a church called The Power of Faith Evangelistic Ministries—at least that was what the white-lettered name typeset on the electric blue awning said, out front. All we ever called it was Power of Faith.

The address was 5242 Park Heights Avenue, and it was right across from the famed Pimlico racetrack. During Preakness season, you could see the thoroughbreds galloping when you stood on the sidewalk after service. A few years into my attendance, some Asians opened a greasy spoon called Pimlico Chicken & Fish. There was bullet-proof glass separating them from us.

They sold chicken boxes—five wings and fries, slathered in ketchup of questionable freshness from a gigantic unmarked bottle; “shrimp” as big as three fingers; soda rumored to have been chemically engineered by White folks to sterilize African American men.

We ate there at least once a week.

It was its own world, Power of Faith, all the more surreal right now, from the vantage of adult reflection. To adequately describe the experience of growing up there, you would have to have access to certain points of Christian reference. You would need to have some concept of the Chick tract—and what it feels like to be 12, trekking through the Park Heights community, handing them out to drunkards and addicts and shop-owners.

You would need to understand how Children’s Church or Youth Group can feel like a kind of orphanage, just by virtue of its isolation from our parents’ main service experience, and how in our temporarily parentless haven, we spent much of our time relying on and confiding in a group of kids we saw up to three times a week.

You’d have to know what a shut-in and a three-day fast are, how it might feel to show up at your church after dark, with a blanket, a pillow, a grumbling stomach, and an excitement to whisper conversations to your friends, while your parents paced the sanctuary floor in prayer.

You’d need to be able to wrap your mind around being one of two teenagers left in that darkened sanctuary on a Friday night, waiting for your respective parents and listening on in silence while they commanded demons to exit some woman’s body in the church basement.

This was no ordinary upbringing. These were no ordinary church services, of the type that last two hours, where you leave your worship experience and your Sunday morning relationships at the exit door till next time.

Power of Faith was in your blood. Being a member there was like marrying into a family; even if you got divorced (read: left and joined another church), you still considered all the people you’d inherited there your aunts and cousins and sisters.

Whenever a new family joined, we children immediately checked out their kids, hoping to graft them into our group and see what unique energy they’d bring to the collective. Fortunately, most members were super-involved and showed up for Wednesday, Friday and both Sunday services, so we spent loads of time bonding with new kids.

Everyone in Power of Faith’s youth group was known for something. Lashawn was a genius and a singer; she’d grow up to become a physician. The Brebnors were three siblings from Trinidad; they’d let you live in their home for whole summers if you wanted and for an only child like me, that was a singular experience, being part of a home that was bustling with noise and laughter and drama, that was rife with rhythm and creativity. But it wasn’t until Nikia came to the church that I understood what it might be like to have a sister.

I’d been a member at Power of Faith longer than most of the kids in our group, but I’d always felt slightly isolated. I’ve always been retreating in large group settings and because of the infrequency of my smiling or laughter, I was often mistaken for sullen. Nikia wasn’t as socially withdrawn as I, perhaps because she had a number of brothers, but like me, her smile had to be earned, her humor was wry and she tended to stand off from a big crowd on occasion, to observe.

I had my first crush at Power of Faith. It began when I was ten and lasted till long after I left. Even now, I remember that boy with a kind of wonder. And when I think of what I’ll tell my daughter about love, it will begin with a description of the infatuation I felt for him.

Our entire youth group knew about that crush, but they were mostly polite and empathetic enough not to tease me mercilessly for it.

When the Walkers arrived from St. Louis—a single mother, her adolescent son and pre-adolescent daughter—the chemistry of our group was forever altered. The son, Jason, made fast friends with the guys in our gang; his easy grin and infectious laughter immediately put people at ease. His lanky, boyish good looks made him a hit with the ladies, too.

With the Walkers’ arrival, Power of Faith had its first encounter with liturgical dance. Jason’s mother, Laurene, had founded a troupe called Namyanka, which delicately blended African movement and worshipful music and gesturing. His preteen sister, Jessica, who had been dancing since she was two, was the troupe’s star performer. Jason played the djembe during a selection of numbers.

A few of the girls in our youth group joined and I was one of them (another was a tiny girl close to Jessica’s age who’d grow up to become Jason’s wife). I’d soon learn I didn’t have the confidence for public dance performance. That was more the domain of Dejelle and Jacqui Brebnor, whose long, lithe limbs seemed made for graceful gesticulation.

But there was something truly thrilling about being a part of a Namyanka rehearsal. Even now, I look back on our performance of James Weldon Johnson’s The Creation with an awe I only reserve for the works of art that have made the deepest imprints in my heart. It was while rehearsing for this that I began to really understand how amazing the Walker family was. As Sister Laurene recited Johnson’s words like an incantation and Jessica flailed and whirled with urgency and elegance, Jason kept our rhythm with his drum.

With each strike of his palm or the heel of his hand, he seemed less the elastic-limbed boy we saw performing pratfalls in the church parking lot and more a man-in-the-making, more the warrior-hunter he would’ve been if he’d been raised in the Africa whose music he’d learned to so fully invoke.

It was with this dual perception I would always regard him. Jason was part prankster, part math scholar; part hip-hop, part classical enthusiast. He was his mother’s joy and his sister’s protector. He was kind, even when teasing. No matter how goofily he’d guffaw at a joke, you just knew that quite soon he’d grow into the disciplined, responsible soul his mother already trusted to steady the pulse of entire performances.

He did. Jason grew up and became a husband and father to four daughters. He was a loyal and trustworthy friend. He was still in close touch with many members of our Power of Faith youth group.

And yesterday, he died.

I hadn’t seen Jason since I left Power of Faith over 15 years ago, and we didn’t talk much even when I knew him. I could probably count our conversations on a hand. But he, like everyone I encountered there, had remained tenderly preserved in a snow globe of memory. There, I can access them all—and the flurry of emotions I felt about them—instantly and when I do, I feel as close to them as if I’d just passed them a note during praise and worship yesterday.

So it is no small thing to have lost Jason Walker. And as I reflect on his passing, I want to send this transmission out into the ether.

To Nikia and Eugene and Dejelle, to Jacqui and Rashid and Jaye, to Tonya and Booker and Theodore, to Chris and Damont and Philip, to Tami and Kim and Markia, to Angel and Shawn and the Mathews siblings, to Lashawn and April and Raheem, to Paulette and Tia and Terrell, to Jason and Jessica and TJ, to Carlos and Emmanuel and Jonah, to Sherman and Katrice and Tasha, to Kenya and Ronald and Kenyetta, to everyone whose names I’ve forgotten, to all those who’ve faced death before the rest of us:

I love you all. You’re never far. I’ll see you soon.

From ages 8 to 15, I was a member of a church called The Power of Faith Evangelistic Ministries—at least that was what the white-lettered name typeset on the electric blue awning said, out front. All we ever called it was Power of Faith.

The address was 5242 Park Heights Avenue, and it was right across from the famed Pimlico racetrack. During Preakness season, you could see the thoroughbreds galloping when you stood on the sidewalk after service. A few years into my attendance, some Asians opened a greasy spoon called Pimlico Chicken & Fish. There was bullet-proof glass separating them from us.

 

They sold chicken boxes—five wings and fries, slathered in ketchup of questionable freshness from a gigantic unmarked bottle; “shrimp” as big as three fingers; soda rumored to have been chemically engineered by White folks to sterilize African American men.

 

We ate there at least once a week.

It was its own world, Power of Faith, all the more surreal right now, from the vantage of adult reflection. To adequately describe the experience of growing up there, you would have to have access to certain points of Christian reference. You would need to have some concept of the Chick tract—and what it feels like to be 12, trekking through the Park Heights community, handing them out to drunkards and addicts and shop-owners.

 

You would need to understand how Children’s Church or Youth Group can feel like a kind of orphanage, just by virtue of its isolation from our parents’ main service experience, and how in our temporarily parentless haven, we spent much of our time relying on and confiding in a group of kids we saw up to three times a week.

 

You’d have to know what a shut-in and a three-day fast are, how it might feel to show up at your church after dark, with a blanket, a pillow, a grumbling stomach, and an excitement to whisper conversations to your friends, while your parents paced the sanctuary floor in prayer.

 

You’d need to be able to wrap your mind around being one of two teenagers left in that darkened sanctuary on a Friday night, waiting for your respective parents and listening on in silence while they commanded demons to exit some woman’s body in the church basement.

 

This was no ordinary upbringing. These were no ordinary church services, of the type that last two hours, where you leave your worship experience and your Sunday morning relationships at the exit door till next time.

 

Power of Faith was in your blood. Being a member there was like marrying into a family; even if you got divorced (read: left and joined another church), you still considered all the people you’d inherited there your aunts and cousins and sisters.

 

Whenever a new family joined, we children immediately checked out their kids, hoping to graft them into our group and see what unique energy they’d bring to the collective. Fortunately, most members were super-involved and showed up for Wednesday, Friday and both Sunday services, so we spent loads of time bonding with new kids.

 

Everyone in Power of Faith’s youth group was known for something. Lashawn was a genius and a singer; she’d grow up to become a physician. The Brebnors were three siblings from Trinidad; they’d let you live in their home for whole summers if you wanted and for an only child like me, that was a singular experience, being part of home that was bustling with noise and laughter and drama, that was rife with rhythm and creativity. But it wasn’t until Nikia came to the church that I understood what it might be like to have a sister.

 

I’d been a member at Power of Faith longer than most of the kids in our group, but I’d always felt slightly isolated. I’ve always been retreating in large group settings and because of the infrequency of my smiling or laughter, I was often mistaken for sullen. Nikia wasn’t as socially withdrawn as I, perhaps because she had a number of brothers, but like me, her smile had to be earned, her humor was wry and she tended to stand off from a big crowd on occasion, to observe.

 

I had my first crush at Power of Faith. It began when I was ten and lasted till long after I left. Even now, I remember that boy with a kind of wonder. And when I think of what I’ll tell my daughter about love, it will begin with a description of the infatuation I felt for him.

 

Our entire youth group knew about that crush, but they were mostly polite and empathetic enough not to tease me mercilessly for it.

 

When the Walkers arrived from St. Louis—a single mother, her adolescent son and pre-adolescent daughter—the chemistry of our group was forever altered. The son, Jason, made fast friends with the guys in our gang; his easy grin and infectious laughter immediately put people at ease. His lanky, boyish good looks made him a hit with the ladies, too.

 

With the Walkers’ arrival, Power of Faith had its first encounter with liturgical dance. Jason’s mother, Laurene, had founded a troupe called Namyanka, which delicately blended African movement and worshipful music and gesturing. His preteen sister, Jessica, who had been dancing since she was two, was the troupe’s star performer. Jason played the djembe during a selection of numbers.

 

A few of the girls in our youth group joined and I was one of them. I’d soon learn I didn’t have the confidence for public dance performance. That was more the domain of Dejelle and Jacqui Brebnor, whose long, lithe limbs seemed made for graceful gesticulation.

 

But there was something truly thrilling about being a part of a Namyanka rehearsal. Even now, I look back on our performance of James Weldon Johnson’s The Creation with an awe I only reserve for the works of art that have made the deepest imprints in my heart. It was while rehearsing for this that I began to really understand how amazing the Walker family was. As Sister Laurene recited Johnson’s words like an incantation and Jessica flailed and whirled with urgency and elegance, Jason kept our rhythm with his drum.

 

With each strike of his palm or the heel of his hand, he seemed less the elastic-limbed boy we saw performing pratfalls in the church parking lot and more a man-in-the-making, more the warrior-hunter he would’ve been if he’d been raised in the Africa whose music he’d learned to so fully invoke.

 

It was with this dual perception I would always regard him. Jason was part prankster, part math scholar; part hip-hop, part classical enthusiast. He was his mother’s joy and his sister’s protector. He was kind, even when teasing. No matter how goofily he’d guffaw at a joke, you just knew that quite soon he’d grow into the disciplined, responsible soul his mother already trusted to steady the pulse of entire performances.

 

He did. Jason grew up and became a husband and father to four daughters. He was a loyal and trustworthy friend. He was still in close touch with many members of our Power of Faith youth group.

 

And yesterday, he died.

 

I hadn’t seen Jason since I left Power of Faith over 15 years ago, and we didn’t talk much even when I knew him. I could probably count our conversations on a hand. But he, like everyone I encountered there, had remained tenderly preserved in a snow globe of memory. There, I can access them all—and the flurry of emotions I felt about them—instantly and when I do, I feel as close to them as if I’d just passed them a note during praise and worship yesterday.

 

So it is no small thing to have lost Jason Walker. And as I reflect on his passing, I want to send this transmission out into the ether.

 

From ages 8 to 15, I was a member of a church called The Power of Faith Evangelistic Ministries—at least that was what the white-lettered name typeset on the electric blue awning said, out front. All we ever called it was Power of Faith.

The address was 5242 Park Heights Avenue, and it was right across from the famed Pimlico racetrack. During Preakness season, you could see the thoroughbreds galloping when you stood on the sidewalk after service. A few years into my attendance, some Asians opened a greasy spoon called Pimlico Chicken & Fish. There was bullet-proof glass separating them from us.

They sold chicken boxes—five wings and fries, slathered in ketchup of questionable freshness from a gigantic unmarked bottle; “shrimp” as big as three fingers; soda rumored to have been chemically engineered by White folks to sterilize African American men.

We ate there at least once a week.

It was its own world, Power of Faith, all the more surreal right now, from the vantage of adult reflection. To adequately describe the experience of growing up there, you would have to have access to certain points of Christian reference. You would need to have some concept of the Chick tract—and what it feels like to be 12, trekking through the Park Heights community, handing them out to drunkards and addicts and shop-owners.

You would need to understand how Children’s Church or Youth Group can feel like a kind of orphanage, just by virtue of its isolation from our parents’ main service experience, and how in our temporarily parentless haven, we spent much of our time relying on and confiding in a group of kids we saw up to three times a week.

You’d have to know what a shut-in and a three-day fast are, how it might feel to show up at your church after dark, with a blanket, a pillow, a grumbling stomach, and an excitement to whisper conversations to your friends, while your parents paced the sanctuary floor in prayer.

You’d need to be able to wrap your mind around being one of two teenagers left in that darkened sanctuary on a Friday night, waiting for your respective parents and listening on in silence while they commanded demons to exit some woman’s body in the church basement.

This was no ordinary upbringing. These were no ordinary church services, of the type that last two hours, where you leave your worship experience and your Sunday morning relationships at the exit door till next time.

Power of Faith was in your blood. Being a member there was like marrying into a family; even if you got divorced (read: left and joined another church), you still considered all the people you’d inherited there your aunts and cousins and sisters.

Whenever a new family joined, we children immediately checked out their kids, hoping to graft them into our group and see what unique energy they’d bring to the collective. Fortunately, most members were super-involved and showed up for Wednesday, Friday and both Sunday services, so we spent loads of time bonding with new kids.

Everyone in Power of Faith’s youth group was known for something. Lashawn was a genius and a singer; she’d grow up to become a physician. The Brebnors were three siblings from Trinidad; they’d let you live in their home for whole summers if you wanted and for an only child like me, that was a singular experience, being part of home that was bustling with noise and laughter and drama, that was rife with rhythm and creativity. But it wasn’t until Nikia came to the church that I understood what it might be like to have a sister.

I’d been a member at Power of Faith longer than most of the kids in our group, but I’d always felt slightly isolated. I’ve always been retreating in large group settings and because of the infrequency of my smiling or laughter, I was often mistaken for sullen. Nikia wasn’t as socially withdrawn as I, perhaps because she had a number of brothers, but like me, her smile had to be earned, her humor was wry and she tended to stand off from a big crowd on occasion, to observe.

I had my first crush at Power of Faith. It began when I was ten and lasted till long after I left. Even now, I remember that boy with a kind of wonder. And when I think of what I’ll tell my daughter about love, it will begin with a description of the infatuation I felt for him.

Our entire youth group knew about that crush, but they were mostly polite and empathetic enough not to tease me mercilessly for it.

When the Walkers arrived from St. Louis—a single mother, her adolescent son and pre-adolescent daughter—the chemistry of our group was forever altered. The son, Jason, made fast friends with the guys in our gang; his easy grin and infectious laughter immediately put people at ease. His lanky, boyish good looks made him a hit with the ladies, too.

With the Walkers’ arrival, Power of Faith had its first encounter with liturgical dance. Jason’s mother, Laurene, had founded a troupe called Namyanka, which delicately blended African movement and worshipful music and gesturing. His preteen sister, Jessica, who had been dancing since she was two, was the troupe’s star performer. Jason played the djembe during a selection of numbers.

A few of the girls in our youth group joined and I was one of them. I’d soon learn I didn’t have the confidence for public dance performance. That was more the domain of Dejelle and Jacqui Brebnor, whose long, lithe limbs seemed made for graceful gesticulation.

But there was something truly thrilling about being a part of a Namyanka rehearsal. Even now, I look back on our performance of James Weldon Johnson’s The Creation with an awe I only reserve for the works of art that have made the deepest imprints in my heart. It was while rehearsing for this that I began to really understand how amazing the Walker family was. As Sister Laurene recited Johnson’s words like an incantation and Jessica flailed and whirled with urgency and elegance, Jason kept our rhythm with his drum.

With each strike of his palm or the heel of his hand, he seemed less the elastic-limbed boy we saw performing pratfalls in the church parking lot and more a man-in-the-making, more the warrior-hunter he would’ve been if he’d been raised in the Africa whose music he’d learned to so fully invoke.

It was with this dual perception I would always regard him. Jason was part prankster, part math scholar; part hip-hop, part classical enthusiast. He was his mother’s joy and his sister’s protector. He was kind, even when teasing. No matter how goofily he’d guffaw at a joke, you just knew that quite soon he’d grow into the disciplined, responsible soul his mother already trusted to steady the pulse of entire performances.

He did. Jason grew up and became a husband and father to four daughters. He was a loyal and trustworthy friend. He was still in close touch with many members of our Power of Faith youth group.

And yesterday, he died.

I hadn’t seen Jason since I left Power of Faith over 15 years ago, and we didn’t talk much even when I knew him. I could probably count our conversations on a hand. But he, like everyone I encountered there, had remained tenderly preserved in a snow globe of memory. There, I can access them all—and the flurry of emotions I felt about them—instantly and when I do, I feel as close to them as if I’d just passed them a note during praise and worship yesterday.

So it is no small thing to have lost Jason Walker. And as I reflect on his passing, I want to send this transmission out into the ether.

To Nikia and Eugene and Dejelle, to Jacqui and Rashid and Jaye, to Tonya and Booker and Theodore, to Chris and Damont and Philip, to Tami and Kim and Markia, to Angel and Shawn and the Mathews siblings, to Lashawn and April and Raheem, to Paulette and Tia and Terrell, to Jason and Jessica and TJ, to Carlos and Emmanuel and Jonah, to Sherman and Katrice and Tasha, to Kenya and Ronald and Kenyetta, to everyone whose names I’ve forgotten, to all those who’ve faced death before the rest of us:

I love you all. You’re never far. I’ll see you soon.

To Nikia and Eugene and Dejelle, to Jacqui and Rashid and Jaye, to Tonya and Booker and Theodore, to Chris and Damont and Philip, to Tami and Kim and Markia, to Angel and Shawn and the Mathews siblings, to Lashawn and April and Raheem, to Paulette and Tia and Terrell, to Jason and Jessica and TJ, to Carlos and Emmanuel and Jonah, to Sherman and Katrice and Tasha, to Kenya and Ronald and Kenyetta, to everyone whose names I’ve forgotten, to all those who’ve faced death before the rest of us:

 

I love you all. You’re never far. I’ll see you soon.

Be Grateful.

I get chills when I listen to this, and I wanted to share it with you today:

God has not promised me/sunshine.

That’s not the way it’s going to be.

But a little rain, mixed with God’s sunshine…

A little pain…

Makes me appreciate the good times.

If you’ve been following my work here, you’re well aware of how difficult my 2010 was. For the past year, the arteries of my blog have been clogged with musings about my tower of challenges. I value that writing; I’ll continue it. But today, I just want to be appreciative. Of my life. Of my child. Of my God. Of my abilities, my opportunities, my slowly increasing drive. Of my ideas, my future. Of my daughter’s health, of mine. Of my large, extended family. Of the fact that both my parents are still here–and better still, that they are so accessible. How beautiful it is to be able to build bridges of dreams with them and to cross the long-held reservoir of water underneath them.  And what of my daily increasing capacity to love, of this miraculous wonder whose tiny arms reach out, of their own accord, and search for mine, to provide a reanimating embrace at the end of a deeply exhausting day?

Can you imagine? Who could ever lament the obstacles of a life this full and this rich, without taking frequent reflective pauses to say, “Nevertheless…?”

I hope you’ve had a few moments today to take yours.